Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villagesKellogg, Charlotte
History
Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villages
Kellogg, Charlotte
Brussels lace committee; Lace and lace making -- Belgium
Design by M. de Rudder; executed by the 30 best Venise-makers in
Belgium in six months]
At the Committee Bureau I had seen many of the wonderful cloths made
from Venise details from this convent (among them the cloth typifying
the burning cities, presented to Mrs. Hoover), but I had never imagined
anything so lovely as the exhibit the sisters had been arranging
on the long, low table, while we were passing from chair to chair
following the magic needles.... We turned to find the separate parts
of a banquet cloth to be offered to Queen Elizabeth on her return from
exile, assembled for us. Two hundred and twenty details, there were,
on which during the darkest days of the war, women had worked with
unfaltering faith and love. M. de Rudder, a well-known Belgian artist,
had drawn the design for the Lace Committee. The border, edged with
ivy, the symbol of endurance, is composed of ferns and wild flowers,
eels and sea-weed, suggesting the forests and fields and waters of
Belgium. Adjoining them are the coats of arms of destroyed cities,
bordered by a band of lilies of the valley, signifying the return of
happiness. In the center, the four patron saints of Brussels, Saints
Michel and George, and Saints Elizabeth and Gudule, are enwreathed with
olive branches. Saint Elizabeth, above the Red Cross, represents the
Queen and her devoted service as nurse during the war, while the eight
medallions near her carry the names of the Beatitudes. Opposite Saint
Elizabeth is Saint George, who represents King Albert. Below him is
the Belgian decoration for bravery, and in the surrounding medallions
are woven the names of battles won by him. Between Saint Elizabeth and
Saint George, are the immortal words spoken by His Majesty as he went
from the Chamber, sword in hand, on the 4th of August, 1914: “_J’ai
foi dans nos destinées! Un pays qui se défend s’impose au respect
de tous, ce pays ne périt pas!_” It is one thing to mention a few
of the two hundred and twenty details of this glorious cloth, it is
quite another to hold any one of them in one’s hand and realize its
perfection, its incredible combination of softness and delicacy and
firmness and regularity. The twelve sisters gathered happily about us,
as we sat before the table quite breathless over the discovery of one
new beauty after another in their truly royal gift.
Public-domain text, read in full here on John Shaqi.
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