Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villagesKellogg, Charlotte
History
Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villages
Kellogg, Charlotte
Brussels lace committee; Lace and lace making -- Belgium
In my journeying I discovered a pretty way of learning whose army
occupied a particular village—I looked for the first small boy to see
which soldier’s cap he proudly wore. Thus at Opbrakel, tho it was late
afternoon when I arrived, there were children still playing in the
street, and the boys jauntily wearing the horizontal blue announced to
me that the French were there. These small boys, and later the soldiers
themselves, examined my mud-splashed car with much curiosity, as it
drew up in front of the convent door.
My visit was quite unannounced, but the sisters held out their hands
in welcome, and drew me in out of the rain, speaking, as they did so,
words I had almost forgotten, “Hot milk; you must drink a cup of hot
milk at once, Madame, and your chauffeur also; this is a cruel day
for journeying.” They led me to a little room, where I found another
unaccustomed comfort, a tiny fire burning brightly. As I sat before
it, sipping the sweet milk, the first I had had since leaving America,
I remembered the gratitude of travelers in the middle ages toward the
convents and abbeys whose doors they found open. The war had brought a
return of many of the difficulties and perils that beset them, with the
comfortable hostelries of pre-war days pillaged and ruined, the little
restaurants or cafés that could do business filled to overflowing
with soldiers (I have spent hours in the wind and rain at night vainly
trying to find a bed, or a place for my car), with roads wrecked,
neither post nor telegraph, nor train, and natural accompaniment of
all this disorganization, the necessity of being ever on guard against
thieves—in the midst of conditions like these we can appreciate the
meaning of the cheering hospitality the convent offers.
While we sat before the fire the Mother Superior had one of the sisters
show me a treasure of the school, a framed exhibit, illustrating in
miniature all the processes employed in the making of the needle
laces, which they had prepared for the last International Exposition
at Brussels. Then she recounted for me a little of the history of her
lace-making convent, which celebrates its centenary this year, this
free year of 1919. I could imagine what it would have meant to try to
be joyful over such an anniversary with the enemy heel still on one’s
back.
Public-domain text, read in full here on John Shaqi.
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