Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villagesKellogg, Charlotte
History
Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villages
Kellogg, Charlotte
Brussels lace committee; Lace and lace making -- Belgium
Rosaline is not very different in appearance from the finer varieties
of Bruges; in fact, it employs much the same technique, and is made
as is Bruges with bobbins, in small pieces, which are later joined by
special workers. A dentellière who can make fine Bruges can usually
make Rosaline. Each small piece is composed of elaborately interlacing
flowers and leaves and arabesques, without a connecting mesh, but
joined by _brides_ or bars, with a picot edge. Sometimes the tiny
incrustations called pearls, common to Burano lace, are added, to
further ornament the richly covered ground.
I watched a Rosaline cushion, on which the pattern of an arabesque
detail was pinned, and Sister A., as she began to shift in pairs the
fourteen bobbins needed to execute it; one pair, the _voyageurs_, were
continually traveling from right to left and back again as she wove
the flat parts of the leaves and blossoms. The Rosaline technique is
particularly difficult, since the pins must be continually and rapidly
changed as the worker, with a crochet-hook, lifts the thread to pass
her bobbin through in the characteristic loop stitch. This delicate
operation, constantly repeated, strains both eyes and nerves. The pins
are placed along the outside edge of the flowers, instead of inside, as
in Bruges, which produces the picot or looped-edge effect of Rosaline.
In Bruges the flower edges are even.
I turned from the arabesques just beginning to grow on the cushion,
to a lovely little finished detail, about four inches square, one of
several in a box which was to hold them till they could be joined to
make a scarf. It had taken seven days of thirteen hours each to make
this four by four piece, which meant that the maximum a skilled worker
could earn in executing it was about two francs a day.
The Liedekerke convent school does not accept children under twelve for
more than two complete afternoons a week and for more than one hour
each of the other days, these hours being lengthened gradually until
the girl of sixteen gives her entire time to her lace. The sisters
hope that once they find coal and thread and can put their class-room
in order, they may again have 100 pupils, and that the village may
continue to count at least 200 good dentellières.
X
HERZELE
_A Château of Refuge_
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account