Climbing far up the side of West Rock, I looked over the Woodbridge
fields and toward West Peak, near Meriden. In the dim distance the
Giant’s form was outlined against the horizon at Mount Carmel. This
mountain assumes the form of a gigantic Egyptian mummy. The hands are
folded across the breast, and the head and feet are stretched in stiff
dignity—so to remain through the ages.
Among the wooded hills and vales below, the cloud-shadows chased each
other to the distant mountains far beyond. That pile of granite upon the
brow of West Rock, designated in history as Judge’s Cave, stood guard
over the hills about me. Farther off, toward Westville, many a roof
glistened and peered out among the newly leaved trees of the hillsides.
One of them was that of Ik Marvel’s home, where perchance he had smoked
the dream pipes of his _Bachelor’s Revery_. Smoke now curled above the
chimney-tops, full of the drowsiness of May mornings.
The song of thrushes and orioles amid the bushes burst joyously upon
me, and during the interludes I heard the hum of bees and the distant
murmurings of streams. Butterflies sailed by, flashing their brilliant
colors in the sunlight, and the air was laden with the delicate fragrance
of early woodlands. It was a day marked by hope and promise. Who can
forget those fields of spring where forget-me-nots and violets bloom?
During the afternoon of this glorious day, I journeyed to Mount Carmel
beyond Lake Whitney. The old canal from Northampton to New Haven formerly
passed along this valley, and although the channel is partly filled in,
the towpath still remains, and is well-trodden. I followed it from the
end of the car-line, until I reached an elevated ledge of rock to the
right. This little hill, clothed with white cedars and junipers, lies
beneath the stern brow of the Giant, whose face is plainly outlined
against the sky far above the village.
Public-domain text, read in full here on John Shaqi.
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