James and Thorne were also habitués of the billiard-room of the “J.G.,”
as it was affectionately called by its members. And, indeed, in the
stifling atmosphere of that room, which was situated in the upper part of
the house, you would meet from time to time one half the actors in town.
It was the favourite resort of the Swanboroughs, and of many others whose
names have escaped my memory. In the Savage Club there was no
billiard-room, but there was always a good attendance of actors after the
closing of the theatres. The Garrick itself was never an actors’ club in
the exclusive sense of the word. One or two of the upper crust of the
“profession” always belong to it, to justify and perpetuate the use of
the title. But to the rank and file of the calling it stands in the
relation of Paradise to the Peri. So that, beyond the Junior Garrick and
the Savage, the noble army of actors had no clubs. Their usual
meeting-places, therefore, became pubs. And these seemed to be selected
with a view to obtaining the utmost discomfort conceivable combined with
the highest scale of charges possible. Thus, in the seventies the chief
meeting-place of the theatrical fraternity was a wine-bar in Russell
Street, Covent Garden, next door to the “Hummums,” and occupying a site
now covered by a market tavern. From one to four o’clock of an afternoon
the wine-bar at Rockley’s was crammed with all sorts and conditions of
stage folk, and their contributory artistic aids—managers, costumiers,
authors, artists, journalists.
Public-domain text, read in full here on John Shaqi.
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