In her choice of subject she allowed herself a wide range, alternating
between the pathetic and the humorous. She was very clever in depicting
the coster class. She was the forerunner of Bessie Bellwood in that
department. And I have always held that she was possessed of much higher
artistic qualities than fell to the lot of poor Bessie. And she had the
same readiness of retort when the “gods” in the gallery felt called upon
to interpose with humours of their own. At the “Mogul” Jenny Hill had
frequent opportunities of exhibiting her skill in this direction, and
never failed to score off her saucy admirers on the slopes of
cloud-capped Olympus. Bessie Bellwood revelled in the same sort of
conflict. But it must be admitted that the older artist had the command
of a more subtle and good-humoured method. Bellwood’s retorts were often
coarse, and always stung. But, although the less accomplished performer
of the two, Bessie Bellwood made a quicker jump into fame and achieved a
wider popularity than her older rival. It was another case of getting
hold of a song that has a “hit” in it. “What cheer, ’Ria! ’Ria’s on the
job!” lifted the unknown genius immediately into the front rank—a
position which she kept till her death. The regard in which this
absolutely untaught woman was held was shown by the thousands of the
public that turned out to follow her funeral, and line the streets
through which the procession to the cemetery passed.
It was with the utmost difficulty that Bessie Bellwood could be induced
to study a new song. She had no love for music. She had plenty of
money, she was fond of racing and Society and fun of all kinds. She
could read and write, but that was about all. Arthur Williams was the
only man I ever met who seemed to know anything of her early life, and he
always declared that her occupation, before she went on the stage, was
that of skinning rabbits in the East End. Notwithstanding the obscurity
of her origin and the paucity of her attainments, she was the chosen
domestic companion of a Duke and of a Marquis!
Public-domain text, read in full here on John Shaqi.
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