Our old friend the _Daily Telegraph_, writing about some meeting in a
flamboyant style, indulged in an allusion to “the genteel pencillers in
the velvet costumes.” This chance allusion was the making of Fred
Fraser. He and his brother—who clerked for him—always appeared dressed
in brown velvet coats, cord breeches, jack-boots, and sombreros. At one
time he ran a few horses, but his favourite sport was fishing, and his
record exhibition of objurgation was given in connection with the pursuit
of this comparatively innocent pastime. This was at Staines. He had
left his line in the water while he went into the town. During his
absence a friend fastened a dried haddock to his hook. On his return,
the deluded man saw that he had “got a bite,” and proceeded to “land.”
The “air went blue for miles” as the outraged fisherman expressed his
opinion of the practical jokers who had tampered with his tackle. Mr.
Fraser was, indeed, a gentleman who should have benefited by an extended
experience of the silent system; and this he was shortly to have. He was
sentenced to a long term for a particularly brutal outrage. And that was
the end of “the genteel penciller” so far as Society and the Turf are
concerned.
Billy Nicholls of Nottingham was a wealthy man and a “character.” He was
a member of the Town Council of his native borough, and a rather good
yarn used to be told of his action in this capacity when a certain matter
of great local interest was brought up before the _Patres Conscripti_ of
Nottingham. The burning question of “the town pump” had come up in
another shape. Public opinion was divided as to whether or not a wall
should be built round the cemetery; and, as the municipal elections were
at hand, the members of the Council were also much “vexed in their
righteous minds” as to how they should vote on the recommendation of the
committee. It remained for Billy Nicholls to settle the question by a
speech which was brief, to the point, and absolutely convincing:
“Muster Mayor, Haldermen, an’ gen’lemen hall,” he said, when he rose in
his place, “it’s like this yer: the pore chaps inside can’t get out, and
them what’s outside don’t want to get in. So I says, ‘No wall.’”
And “no wall” it was.
Public-domain text, read in full here on John Shaqi.
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