Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
Aristide Bruant now rose from his table and strode to the centre of the
room. A perfect silence fell. He is rather a small man, slender, and of
delicate build; he has a thin, sallow face, with piercing black eyes,
prominent cheek-bones, and long raven-black hair falling over his
shoulders from beneath a broad black slouch hat down over his eyes. His
unbuttoned coat showed a red flannel shirt open at the throat; a broad
sash was about his waist; his trousers were tucked into top-boots,--the
ensemble reminding one of Buffalo Bill. He glared sullenly round upon
the people, and then sprang lightly upon a table. From that perch
he recited one of his poems, selected from his book of songs and
monologues. It does not bear reproduction here. For that matter, being
written in the argot of Montmartre, it could hardly be understood even
by French scholars unfamiliar with Montmartre.
Happily Mr. Thompkins understood not a word of it, smiling perfunctorily
out of politeness while Bruant was uttering things that might have
shocked the most hardened Parisians. There were several young women
present, and while Bruant was reciting they ogled him with genuine
adoration. The other poets hung reverently upon his every word.
A mighty burst of applause greeted the finish of the recitation; but
Bruant slouched indifferently to his seat, ignoring the ovation.
The bully with the stick immediately stopped the noise by yelling,
"Silence!" This he followed up with the contribution-cup for the
benefit of the idol of Montmartre. With the cup he brought the volume
of Bruant's poems from which he had given the recitation,--a cheaply
printed pamphlet. No one dared refuse to buy, and no change was
returned. Was not this the great Aristide Bruant, the immortal of
Montmartre?
[Illustration: 0300]
He was followed by other poets with songs and the banging of the piano.
We presently rose to leave, but the bully shouted,--"Sit down! How dare
you insult the young poet who is now singing?" We submissively resumed
our seats. After a while, in a lull, we respectfully rose again, and the
bully, shouting, "Get out!" unbarred the door and we were free.
Mr. Thompkins was more deeply puzzled than he had been before that
night. He could not understand that such a resort, where one is bullied
and insulted, could secure patronage.
"But this is Paris, Mr. Thompkins," explained Bishop, somewhat vaguely;
"and this particular part of Paris is Montmartre."
Midnight was now close at hand, but Montmartre was in the height of
its gayety. Students, Bohemians, and cocottes were skipping and singing
along the boulevard,--singing the songs of Bruant. The _café_s were
crowded, the theatres and concert halls only in the middle of their
programmes. Cabs were dashing about, some stopping at the Moulin Rouge,
others at the Elysée Montmartre, still others picking up fares for more
distant attractions.
Public-domain text, read in full here on John Shaqi.
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