Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
Though Bishop spoke to me very little of his midnight adventures, I
being very busy with my own work, I began to have grave apprehensions
on the score of his tastes in that direction; for during the afternoons
ridiculous-looking, long-haired, but gentlemannered persons in shabby
attire, well-seasoned with the aroma of absinthe and cigarettes, would
favor our studio with a call, undoubtedly at Bishop's invitation. They
brought with them black portfolios or rolls of paper tied with black
string, containing verses,--their masterpieces, which were to startle
Paris, or new songs, which, God favoring, were to be sung at La Scala or
the Ambassadeurs, and thus bring them immortal fame and put abundant fat
upon their lean ribs! Ah, the deathless hope that makes hunger a welcome
companion here!
Bishop would cleverly entertain these aspiring geniuses with shop talk
concerning literature and music, and he had a charming way of dwelling
upon the finish and subtlety of their work and comparing it with that
of the masters. It usually ended with their posing for him in different
attitudes of his suggesting. Why waste money on professional models? As
Bishop's acquaintances became more numerous among this class, we finally
set aside Tuesday afternoons for their reception. Then they would come
in generous numbers and enjoy themselves unreservedly with our cognac
and biscuits. But ah, the rare pleasures of those afternoons,--as much
for the good it did us to see their thin blood warmed with brandy and
food as for their delightful entertainment of us and one another.
The studio was warm and cheerful on the night when Bishop invited me
to accompany him out. I had been at work, and presently, when I had
finished, I flung myself on the divan for a rest and a smoke, and then
became aware of Bishop's presence. He was comfortably ensconced in the
steamer-chair, propped up with pillows.
"Aren't you going out to-night?" I inquired.
"Why, yes. Let's see the time. A little after eleven. That's good. You
are finished, aren't you? Now, if you want a little recreation and wish
to see one of the queerest places in Paris, come with me."
I looked out the window. A cold, dreary night it was. The chimney-pots
were dimmed by the thick mist, and the street lamps shone murkily far
below. It was a saddening, soaking, dripping night, still, melancholy,
and depressing,--the kind of night that lends a strange zest to in-door
enjoyment, as though it were a duty to keep the mist and the dreariness
out of the house and the heart.
But the studio had worn me out, and I was eager to escape from its
pleasant coziness. And this was a Saturday night, which means something,
even in Paris. To-morrow there would be rest. So I cheerfully assented.
We donned our heaviest top-coats and mufflers, crammed the stove full of
coal, and then sallied out into the dripping fog.
Public-domain text, read in full here on John Shaqi.
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