Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
Several long-haired littérateurs--friends of Bishop's--came up and
saluted him and shook his hand, all with a certain elegance and dignity.
He, in turn, introduced me, and the conversation at once turned to art,
music, and poetry. Whatever the sensational news of the day, whatever
the crisis in the cabinet, whatever anything might have been that was
stirring the people in the great outside commonplace world, these men
and women gave it no heed whatever. What was the gross, hard, eager
world to them? Did not the glories of the Golden Sun lend sufficient
warmth to their hearts, and were not their vague aspirations and idle
hopes ample stimulants to their minds and spirits? They quickly found a
responsive mood in us, and this so delighted them that they ordered the
drinks.
The presiding genius at the piano was a whitehaired, spiritual-looking
man, whose snowy locks gave the only indication of his age; for his face
was filled with the eternal youthfulness of a careless and contented
heart. His slender, delicate fingers told of his temperament, his thin
cheeks of his poverty, and his splendid dreamy eyes of the separate life
that he lived.
Standing on the platform beside him was a man of a very different type.
It was' the pianist's function to be merely a musician; but the other
man--the musical director--was one from whom judgment, decision, and
authority were required. Therefore he was large, powerful, and big-
stomached, and had a pumpkin head, and fat, baggy eyes that shone
through narrow slits. He now stepped forward and rang a little bell,
upon which all talking was instantly hushed.
"_Mesdames et messieurs_," he said, in a large, capable voice, "_J'ai
l'honneur de vous annoncer que Madame Louise Leroux, nous lira ses
dernières oeuvres--une faveur que nous apprécierons tous_."
[Illustration: 8192]
A young woman--about twenty-three, I should judge--arose from one of
the tables where she had been sitting talking with an insipid-looking
gentleman adorned with a blond moustache and vacant, staring-eyes; he
wore a heavy coat trimmed with astrachan collar and cuffs, which, being
open at the throat, revealed the absence of a shirt from his body. A
Latin Quarter top-hat was pushed back on his head, and his long, greasy
hair hung down over his collar. Madame Leroux smiled affectionately at
him as she daintily flicked the ashes from her cigarette and laid it
upon the table, and moistened her thin red lips with a yellow liqueur
from her glass. He responded with a condescending jerk of his head, and,
diving into one of the inner pockets of his coat, brought forth a roll
of paper, which she took. A great clapping of hands and loud cries
of her name greeted her as she stepped upon the platform, but it was
clearly to be seen from her indifferent air that she had been long
accustomed to this attention.
The big musical director again rang his bell.
"_Il était une Fois,_" she said, simply. The pianist fingered the keys
softly, and she began to recite.
Public-domain text, read in full here on John Shaqi.
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