Bohemian Paris of To-day: Second EditionMorrow, W. C.
History
Bohemian Paris of To-day: Second Edition
Morrow, W. C.
Bohemianism; Paris (France) -- Social life and customs
This night, however, all that was forgotten. It was the one free, happy
night of the week, the night of abandon and the dance, of laughter,
drinking, and jollity, for which one and all had longed for a whole
impatient and dreary week; and Henri, Jacques, and Louis could spend on
drinks with other of their feminine acquaintances the sous that their
mistresses had provided. The band played lustily; the lights shone; the
room was filled with laughter,--let the dance go on!
Stationed in different parts of the room were the big soldiers of the
Garde Municipale, in their picturesque uniform so familiar to all
the theatre-goers of Paris. They were here to preserve order, for the
dancers belong to an inflammable class, and a blaze may spring up at
any moment. Equally valuable as a repressing force was a burly, thick-
necked, powerful man who strolled hither and thither, his glance
everywhere and always veiling a threat. He wore a large badge that
proclaimed him the master of ceremonies. True, he was that, which was
something, but he was a great deal more,--a most astonishingly prompt
and capable bouncer. The male frequenters of the place were evidently
in mortal terror of him, for his commanding size and threatening manner,
and his superbly developed muscles, contrasted strikingly with the
cringing manner and weak bodies of Henri and his kind; and should
he look their way with a momentary steadiness of glance and poise of
figure, their conversation would instantly cease, and they would slink
away.
We seated ourselves at a vacant table that commanded a sweeping view
of the floor and the promenade. A seedy-looking garçon worked his way
through the crowd and took our order for beer; and mean, stale beer it
was. But we did not care for that. Bishop was all afire with enjoyment
of the scene, for, he protested, the place was infinitely rich in types
and character,--the identical types that the great Steinlen loves to
draw. And here is an interesting thing: The girls all were of that chic
and petite order so peculiar to certain classes of Parisian women, some
hardly so high as Bishop's shoulder, which is itself not very high;
and though they looked so small, they were fully developed young women,
though many of them were under twenty. They wore no hats, and for the
most part, unlike their gorgeous sisters of the boulevard _café_s, they
were dressed plainly, wearing black or colored waists and skirts. But
ah!--and here the unapproachable instinct-skill of the French-woman
shows itself,--on these same waists and skirts were placed here and
there, but always just where they ought to be, bows and ribbons; and it
was they that worked the miracle of grace and style. And the girls had
a certain beauty, a beauty peculiar to their class,--not exactly beauty,
but pleasing features, healthy color, and, best of all and explaining
all, an archness of expression, a touch of sauciness, that did for their
faces what the bows and ribbons did for their gowns.
Public-domain text, read in full here on John Shaqi.
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