Bohemianism -- Fiction; Love stories; Paris (France) -- Social life and customs -- 19th century -- Fiction
Teutonically sentimental tirades of Rodolphe and to his premature
calvity, he called him the bald forget-me-not. The real truth was this.
Rodolphe then seriously believed he had done with all things of youth
and love; he insolently chanted a _De profundis_ over his heart, which
he thought dead when it was only silent, yet still ready to awake, still
accessible to joy, and more susceptible than ever to all the sweet pangs
that he no longer hoped for, and that were now driving him to despair.
You would have it, Rodolphe, and we shall not pity you, for the disease
from which you are suffering is one of those we long for most, above all
when we know that we are cured of it forever.
Rodolphe then met Mimi, whom he had formerly known when she was the
mistress of one of his friends; and he made her his own. There was at
first a great outcry amongst Rodolphe's friends when they learned of
this union, but as Mademoiselle Mimi was very taking, not at all
prudish, and could stand tobacco smoke and literary conversations
without a headache, they became accustomed to her and treated her as a
comrade. Mimi was a charming girl, and especially adapted for both the
plastic and poetical sympathies of Rodolphe. She was twenty two years of
age, small, delicate, and arch. Her face seemed the first sketch of an
aristocratic countenance, but her features, extremely fine in outline,
and as it were, softly lit up by the light of her clear blue eyes, wore,
at certain moments of weariness or ill-humor, an expression of almost
savage brutality, in which a physiologist would perhaps have recognized
the indication of profound egotism or great insensibility. But hers was
usually a charming head, with a fresh and youthful smile and glances
either tender or full of imperious coquetry. The blood of youth flowed
warm and rapid in her veins, and imparted rosy tints to her transparent
skin of camellia-like whiteness. This unhealthy beauty captivated
Rodolphe, and he often during the night spent hours in covering with
kisses the pale forehead of his slumbering mistress, whose humid and
weary eyes shone half-closed beneath the curtain of her magnificent
brown hair. But what contributed above all to make Rodolphe madly in
love with Mademoiselle Mimi were her hands, which in spite of household
cares, she managed to keep as white as those of the Goddess of Idleness.
However, these hands so frail, so tiny, so soft to the lips; these
child-like hands in which Rodolphe had placed his once more awakened
heart; these white hands of Mademoiselle Mimi were soon to rend that
heart with their rosy nails.
Public-domain text, read in full here on John Shaqi.
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