On seeing her lover appear, Mademoiselle Mimi seemed somewhat surprised. She came up to him, and for five minutes they talked very quietly together. They then parted, each on their separate way. Their separation was agreed upon. Rodolphe returned home, and spent the day in packing up all the things belonging to his mistress. During the day that followed his divorce, he received the visit of several friends, and announced to them what had happened. Every one congratulated him on this event as on a piece of great good fortune. "We will aid you, oh poet!" said one of those who had been the most frequent spectator of the annoyances Mademoiselle Mimi had made Rodolphe undergo, "we will help you to free your heart from the clutches of this evil creature. In a little while you will be cured, and quite ready to rove with another Mimi along the green lanes of Aulnay and Fontenay-aux-Roses." Rodolphe swore that he had forever done with regrets and despair. He even let himself be led away to the Bal Mabille, when his dilapidated get-up did scant honor to "The Scarf of Iris," his editorship of which procured him free admission to this garden of elegance and pleasure. There Rodolphe met some fresh friends, with whom he began to drink. He related to them his woes an unheard of luxury of imaginative style, and for an hour was perfectly dazzling with liveliness and go. "Alas!" said the painter Marcel, as he listened to the flood of irony pouring from his friend's lips, "Rodolphe is too lively, far too lively." "He is charming," replied a young woman to whom Rodolphe had just offered a bouquet, "and although he is very badly got up I would willingly compromise myself by dancing with him if he would invite me." Two seconds later Rodolphe, who had overheard her, was at her feet, enveloping his invitation in a speech, scented with all the musk and benjamin of a gallantry at eighty degrees Richelieu. The lady was confounded by the language sparkling with dazzling adjectives and phrases modelled on those in vogue during the Regency, and the invitation was accepted. Rodolphe was as ignorant of the elements of dancing as of the rule of three. But he was impelled by an extraordinary audacity. He did not hesitate, but improvised a dance unknown to all bygone choreography. It was a step the originality of which obtained an incredible success, and that has been celebrated under the title of "regrets and sighs." It was all very well for the three thousand jets of gas to blink at him, Rodolphe went on at it all the same, and continued to pour out a flood of novel madrigals to his partner. "Well," said Marcel, "this is incredible. Rodolphe reminds me of a drunken man rolling amongst broken glass." "At any rate he has got hold of a deuced fine woman," said another, seeing Rodolphe about to leave with his partner. "Won't you say good night?" cried Marcel after him. Rodolphe came back to the artist and held out his hand, it was cold and damp as a wet stone.