Bohemianism -- Fiction; Love stories; Paris (France) -- Social life and customs -- 19th century -- Fiction
"What!" said Rodolphe, pointing to the ladder and the bird. "You do not
understand! This is the story: I am in love, my dear fellow, in love
with a girl named Juliet."
"Well, what then?" said Colline impatiently.
"This. My new idol being named Juliet, I have hit on a plan. It is to go
through Shakespeare's play with her. In the first place, my name is no
longer Rodolphe, but Romeo Montague, and you will oblige me by not
calling me otherwise. Besides, in order that everyone may know it, I
have had some new visiting cards engraved. But that is not all. I shall
profit by the fact that we are not in Carnival time to wear a velvet
doublet and a sword."
"To kill Tybalt with?" said Colline.
"Exactly," continued Rodolphe. "Finally, this ladder that you see is to
enable me to visit my mistress, who, as it happens, has a balcony."
"But the bird, the bird?" said the obstinate Colline.
"Why, this bird, which is a pigeon, is to play the part of the
nightingale, and indicate every morning the precise moment when, as I am
about to leave her loved arms, my mistress will throw them about my neck
and repeat to me in her sweet tones the balcony scene, 'It is not yet
near day,' that is to say, 'It is not yet eleven, the streets are muddy,
do not go yet, we are comfortable here.' In order to perfect the
imitation, I will try to get a nurse, and place her under the orders of
my beloved and I hope that the almanac will be kind enough to grant me a
little moonlight now and then, when I scale my Juliet's balcony. What do
you say to my project, philosopher?"
"It is very fine," said Colline, "but could you also explain to me the
mysteries of this splendid outer covering that rendered you
unrecognizable? You have become rich, then?"
Rodolphe did not reply, but made a sign to one of the waiters, and
carelessly threw down a louis, saying:
"Take for what we have had."
Then he tapped his waistcoat pocket, which gave forth a jingling sound.
"Have you got a bell in your pocket, for it to jingle as loud as that?"
"Only a few louis."
"Louis! In gold?" said Colline, in a voice choked with wonderment. "Let
me see what they are like."
After which the two friends parted, Colline to go and relate the opulent
ways and new loves of Rodolphe, and the latter to return home.
This took place during the week that had followed the second rupture
between Rodolphe and Mademoiselle Mimi. The poet, when he had broken off
with his mistress, felt a need of change of air and surroundings, and
accompanied by his friend Marcel, he left the gloomy lodging house, the
landlord of which saw both him and Marcel depart without overmuch
regret. Both, as we have said, sought quarters elsewhere, and hired two
rooms in the same house and on the same floor. The room chosen by
Rodolphe was incomparably more comfortable than any he had inhabited up
till then. There were articles of furniture almost imposing, above all a
sofa covered with red stuff, that was intended to imitate velvet, and
did not.
Public-domain text, read in full here on John Shaqi.
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