Bohemianism -- Fiction; Love stories; Paris (France) -- Social life and customs -- 19th century -- Fiction
"And yet we are continually going back to it," resumed Marcel. "That is
because instead of frankly seeking to forget, we make the most trivial
things a pretext to recall remembrances, which is due above all to the
fact that we persist in living amidst the same surroundings in which the
beings who have so long been our torment lived. We are less the slaves
of passion than of habit. It is this captivity that must be escaped
from, or we shall wear ourselves out in a ridiculous and shameful
slavery. Well, the past is past, we must break the ties that still bind
us to it. The hour has come to go forward without looking backward; we
have had our share of youth, carelessness, and paradox. All these are
very fine--a very pretty novel could be written on them; but this comedy
of amourous follies, this loss of time, of days wasted with the
prodigality of people who believe they have an eternity to spend--all
this must have an end. It is no longer possible for us to continue to
live much longer on the outskirts of society--on the outskirts of life
almost--under the penalty of justifying the contempt felt for us, and of
despising ourselves. For, after all, is it a life we lead? And are not
the independence, the freedom of mannerism of which we boast so loudly,
very mediocre advantages? True liberty consists of being able to
dispense with the aid of others, and to exist by oneself, and have we
got to that? No, the first scoundrel, whose name we would not bear for
five minutes, avenges himself for our jests, and becomes our lord and
master the day on which we borrow from him five francs, which he lends
us after having made us dispense the worth of a hundred and fifty in
ruses or in humiliations. For my part, I have had enough of it. Poetry
does not alone exist in disorderly living, touch-and-go happiness, loves
that last as long as a bedroom candle, more or less eccentric revolts
against those prejudices which will eternally rule the world, for it is
easier to upset a dynasty than a custom, however ridiculous it may be.
It is not enough to wear a summer coat in December to have talent; one
can be a real poet or artist whilst going about well shod and eating
three meals a day. Whatever one may say, and whatever one may do, if one
wants to attain anything one must always take the commonplace way. This
speech may astonish you, friend Rodolphe; you may say that I am breaking
my idols, you will call me corrupted; and yet what I tell you is the
expression of my sincere wishes. Despite myself, a slow and salutary
metamorphosis has taken place within me; reason has entered my
mind--burglariously, if you like, and perhaps against my will, but it
has got in at last--and has proved to me that I was on a wrong track,
and that it would be at once ridiculous and dangerous to persevere in
it. Indeed, what will happen if we continue this monotonous and idle
vagabondage? We shall get to thirty, unknown, isolated, disgusted with
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account