"Thirdly. Monsieur Marcel, forgetting that a cafe is a public place, brings thither his easel, box of colors, and, in short, all the instruments of his art. He even disregards the usages of society as far as to send for models of different sexes; which might shock the morals of the Bosquet party." "Fourthly. Following the example of his friend, Monsieur Schaunard talks of bringing his piano to the cafe and he has not scrupled to get up a chorus on a motive from his symphony, 'The Influence of Blue in Art.' Monsieur Schaunard has gone farther: he has inserted in the lantern which serves the establishment for sign, a transparency with this inscription: 'COURSE OF MUSIC, VOCAL AND INSTRUMENTAL, FOR BOTH SEXES, GRATIS. APPLY AT THE COUNTER.' In consequence of this, the counter aforesaid is besieged every night by a number of badly dressed individuals, wanting to know where you go in." "Moreover, Monsieur Schaunard gives meetings to a lady calling herself Mademoiselle Phemie, who always forgets to bring her bonnet. Wherefore, Monsieur Bosquet, Jr., has declared that he will never more put foot in an establishment where the laws of nature are thus outraged." "Fifthly. Not content with being very poor customers, these gentlemen have tried to be still more economical. Under pretence of having caught the mocha of the establishment in improper intercourse with chicory, they have brought a lamp with spirits-of-wine, and make their own coffee, sweetening it with their own sugar; all of which is an insult to the establishment." "Sixthly. Corrupted by the discourse of these gentlemen, the waiter Bergami (so called from his whiskers), forgetting his humble origin and defying all control, has dared to address to the mistress of the house a piece of poetry suggestive of the most improper sentiments; by the irregularity of its style, this letter is recognized as a direct emanation from the pernicious influence of Monsieur Rodolphe and his literature." "Consequently, in spite of the regret which he feels, the proprietor of the establishment finds himself obliged to request the Colline party to choose some other place for their revolutionary meetings." Gustave Colline, who was the Cicero of the set, took the floor and demonstrated to the landlord that his complaints were frivolous and unfounded; that they did him great honor in making his establishment a home of intellect; that their departure and that of their friends would be the ruin of his house, which their presence elevated to the rank of a literary and artistic club. "But," objected the other, "you and those who come to see you call for so little." "This temperance to which you object," replied Colline, "is an argument in favor of our morals. Moreover, it depends on yourself whether we spend more or not. You have only to open an account with us."