Bohemianism -- Fiction; Love stories; Paris (France) -- Social life and customs -- 19th century -- Fiction
Gustave Colline above all was very uneasy, and for the following reason.
A few days previously he had handed to Rodolphe a highly philosophical
article, which the latter was to insert in the columns of "The Beaver,"
the organ of the hat trade, of which he was editor. Had this
philosophical article burst upon the gaze of astonished Europe? Such
was the query put to himself by the astonished Colline, and this anxiety
will be understood when it is explained that the philosopher had never
yet had the honor of appearing in print, and that he was consumed by the
desire of seeing what effect would be produced by his prose in pica. To
procure himself this gratification he had already expended six francs in
visiting all the reading rooms of Paris without being able to find "The
Beaver" in any one of them. Not being able to stand it any longer,
Colline swore to himself that he would not take a moment's rest until he
had laid hands on the undiscoverable editor of this paper.
Aided by chances which it would take too long to tell in detail, the
philosopher was able to keep his word. Within two days he learned
Rodolphe's abiding place and called on him there at six in the morning.
Rodolphe was then residing in a lodging house in a deserted street
situated in the Faubourg Saint Germain, and was perched on the fifth
floor because there was not a sixth. When Colline came to his door there
was no key in the lock outside. He knocked for ten minutes without
obtaining any answer from within; the din he made at this early hour
attracted the attention of even the porter, who came to ask him to be
quiet.
"You see very well that the gentleman is asleep," said he.
"That is why I want to wake him up," replied Colline, knocking again.
"He does not want to answer then," replied the porter, placing before
Rodolphe's door a pair of patent leather boots and a pair of lady's
boots that he had just cleaned.
"Wait a bit though," observed Colline, examining the masculine and
feminine foot gear. "New patent leathers! I must have made a mistake; it
cannot be here."
"Yes, by the way," said the porter, "whom do you want?"
"A woman's boots!" continued Colline, speaking to himself, and thinking
of his friends austere manners, "Yes, certainly I must have made a
mistake. This is not Rodolphe's room."
"I beg your pardon, sir, it is."
"You must be making a mistake, my good man."
"What do you mean?"
"Decidedly you must be making a mistake," said Colline, pointing to the
patent leather boots. "What are those?"
"Those are Monsieur Rodolphe's boots. What is there to be wondered at in
that?"
"And these?" asked Colline, pointing to the lady's boots. "Are they
Monsieur Rodolphe's too?"
"Those are his wife's," said the porter.
"His wife's!" exclaimed Colline in a tone of stupefaction. "Ah! The
voluptuary, that is why he will not open the door."
"Well," said the porter, "he is free to do as he likes about that, sir.
If you will leave me your name I will let him know you called."
Public-domain text, read in full here on John Shaqi.
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