Bones and I : $b or, the skeleton at homeWhyte-Melville, G. J. (George John)
Philosophy
Bones and I : $b or, the skeleton at home
Whyte-Melville, G. J. (George John)
English fiction -- 19th century; Paranormal fiction, English
However healthy and invigorating the toil, however varied and
delightful the passage, I think he will not be sorry to arrive at
Teddington Lock, there to ship his oars, moor his boat under the
willows, and so, lulled by the murmur of the ever-flowing waters, with
folded arms, upturned face, and eyes wandering drowsily heavenwards,
fall peacefully asleep.
But the shadows which cross our path to our greatest deception and
detriment are those for which we so willingly abandon the substances
whereof they are but the fading phantoms as the dog in the fable
dropped a piece of meat out of his jaws to snatch a like morsel from
the other dog he saw reflected in the water. Every day men grasp at
clouds as did Ixion, bartering eagerly for that which they know to be
illusive, the solid joys and advantages of life. How many people in the
possession of sufficient incomes deprive themselves of common comfort
in an attempt to appear richer and more liberal than they really are!
How many forego the society of friends in which they find honest
pleasure for that of mere acquaintances with whom they have scarce a
thought in common, because the latter, perhaps themselves sacrificed
to the same illusion, move in a higher and more ostentatious class of
society! With one the shadow is a reputation for wealth, with another
for taste. Here it is a house in Belgravia, there a villa on the
Thames; sometimes a position in the county, a seat in parliament, or a
peerage long dormant in a race of squires.
Whatever it may be, the pursuer follows it at the best speed he can
command, finding, usually, that the faster he goes the faster it flies
before him; and when he comes up with it at last to enfold the phantom
in his longing embrace, behold it crumbles away to disappointment in
his very arms.
I have seen Cerito dancing her famous shadow-dance; I have watched
a child following its own retreating figure, lengthened to gigantic
proportions in an afternoon sun, with shouts of wonder and delight;
I once observed, perhaps the prettiest sight of the three, a
thorough-bred foal gallop up to some park-palings, to wince and scour
away from the distorted representation of a race-horse it met there,
in the wild, graceful freedom of a yet unbridled youth; and I have
thought of the many shadows that lure us all, between the cradle and
the grave, only to impose on us in their fullest signification the
different sentiments of disbelief, dis-illusion, and disgust. When
Peter Schlemihl made his ill-advised bargain with the devil, that
shrewd purchaser quietly rolled up his victim’s shadow and put it in
his own pocket. When Michael Scott, in the completion of his education
at Padua, had mastered certain intricacies of the black art, his
fellow-students observed to their consternation that while they walked
in the college gardens with the wise north-countryman,
“His form no darkening shadow cast
Athwart the sunny wall.”
Public-domain text, read in full here on John Shaqi.
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