Bones read the poems and they somehow didn't look as well in print as
they had in manuscript. And, horror of horrors--he went white at the
thought--they were unmistakably disrespectful to Miss Marguerite
Whitland! They were love poems. They declared Bones's passion in
language which was unmistakable. They told of her hair which was
beyond compare, of her eyes which rivalled the skies, and of her lips
like scarlet strips. Bones bowed his head in his hands, and was in
this attitude when the door opened, and Miss Whitland, who had had a
perfect night and looked so lovely that her poems became pallid and
nauseating caricatures, stepped quietly into the room.
"Aren't you well, Mr. Tibbetts?" she said.
"Oh, quite well," said Bones valiantly. "Very tra-la-la, dear old
thing, dear old typewriter, I mean."
"Is that correspondence for me?"
She held out her hand, and Bones hastily thrust Messrs. Seepidge &
Soomes's letter, with its enclosure, into his pocket.
"No, no, yes, yes," he said incoherently. "Certainly why not this is a
letter dear old thing about a patent medicine I have just taken I am
not all I was a few years ago old age is creeping on me and all that
sort of stuff shut the door as you go in."
He said this without a comma or a full-stop. He said it so wildly that
she was really alarmed.
Hamilton arrived a little later, and to him Bones made full confession.
"Let's see the poems," said Hamilton seriously.
"You won't laugh?" said Bones.
"Don't be an ass. Of course I won't laugh, unless they're supposed to
be comic," said Hamilton. And, to do him justice, he did not so much
as twitch a lip, though Bones watched his face jealously.
So imperturbable was Hamilton's expression that Bones had courage to
demand with a certain smugness:
"Well, old man, not so bad? Of course, they don't come up to Kipling,
but I can't say that I'm fearfully keen on Kipling, old thing. That
little one about the sunset, I think, is rather a gem."
"I think you're rather a gem," said Hamilton, handing back the proofs.
"Bones, you've behaved abominably, writing poetry of that kind and
leaving it about. You're going to make this girl the laughing-stock of
London."
"Laughing-stock?" snorted the annoyed Bones. "What the dickens do you
mean, old thing? I told you there are no comic poems. They're all
like that."
"I was afraid they were," said Hamilton. "But poems needn't be comic,"
he added a little more tactfully, as he saw Bones's colour rising,
"they needn't be comic to excite people's amusement. The most solemn
and sacred things, the most beautiful thoughts, the most wonderful
sentiments, rouse the laughter of the ignorant."
Public-domain text, read in full here on John Shaqi.
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