Actresses -- Fiction; Families -- Fiction; Foster children -- Fiction; Girls -- Fiction; Social classes -- Fiction
“So this is the little girl?” he inquired. He drew her to his side and
flushed with pleasure. His entire appearance changed. “I had an idea
she might be over to the house to-night,” he added, turning to Baron.
“No,” said Baron, “she preferred to come with us.”
Bonnie May shrank slightly from the stranger’s touch; but after she
had regarded him critically she yielded to it. He seemed rather a
good sort, she thought. He wasn’t loud, and he didn’t take things for
granted too much.
But Mrs. Baron stiffened and seemed bent upon bringing upon the entire
group that discomfort and embarrassment the creation of which is one
of the finer social accomplishments. “Sit down, Bonnie May,” she said.
She patted an unoccupied chair with her hand and smiled. There was
something in her manner which caused Bonnie May to regard her with
surprise.
Thornburg, too, observed her rather deliberately. For an instant he
seemed to forget himself, to be absent-minded. Thornburg was of that
type of man who seems to surrender unconditionally when a woman employs
strategies, but who resolves to do what he pleases when her back is
turned.
Baron resented his mother’s attitude, her decision not to be
communicative and gracious. He stood by the manager’s side and spoke
of the splendid picture the garden presented. For a moment they stood
in silence, looking down upon the tangle of many-colored lights which
marked the course of the Midway.
The steady stream of people who had been entering the theatre had begun
to diminish, and now the notes of the overture arose--the “Poet and
Peasant.”
Bonnie May sprang to her feet. “There it is,” she said, and both Baron
and Thornburg smiled down on her. Then Thornburg escorted the party
into the theatre.
Baron noted the immense audience, sitting in a blaze of light; a fairly
quiet and pleasant-appearing audience. He noted, too, that where one
might have expected to find walls at right and left there were vast
open spaces, through which stars, beyond waving horizontal branches,
were visible. Rolled canvas, which might be let down in case of rain,
rattled slightly in the breeze, and one or two disturbed sparrows
darted into the place and rested, chirping, on a girder overhead.
Then Baron had eyes only for Bonnie May, who had undergone some strange
sort of transformation the moment she had entered the theatre.
Her eyes were enough to thrill an ordinary world-weary person. Her
color became brilliant. Then her body began to respond to some
overmastering influence. One might have thought of her as a little
palfrey about to enter a great parade with many bands in it. She was
not merely proud and happy; she was quite entranced with delight.
Public-domain text, read in full here on John Shaqi.
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