Actresses -- Fiction; Families -- Fiction; Foster children -- Fiction; Girls -- Fiction; Social classes -- Fiction
And then, because his mother and Flora were watching, and
because--well, because he was Baron, he straightened up and got
possession of her hands again. He patted them lightly.
“It is a good word,” he repeated. “It’s one that has come to have a
much bigger meaning for me since I knew you.”
“And you won’t think it’s got anything to do with that silly old
joke...?”
He was really perplexed.
“You know, when they say: ‘I’ll be a sister to you!’” She was bubbling
over with the old merriment now. “Just to make you keep at a distance,
you know.”
“Oh--no, I’ll be sure it hasn’t anything to do with that.”
He regarded her almost dreamily as she turned again to his mother and
Flora. He was thinking of the amazing buoyancy, of the disconcerting,
almost estranging humor which lay always just beneath the surface; of
her fine courage; of the ineradicable instinct which made everything
a sort of play. They would be hers always. Or would there come a time
when she would lose them? He wondered.
“There is our number!” interrupted Peter Addis, who had been listening
to the voice of the announcers. He had brought the party to the theatre
in his own car.
There was a reluctant movement toward the theatre.
“... Oh, a matinée performance now and then, if she likes,” Thornburg
was explaining to Baron. “But for a few years, at least, that will be
all. She’s going to have the things she’s had to go without all her
life.”
They followed the line of the wall around toward the front exit. The
orchestra had quit playing. The time had come to extinguish the lights.
But after the others had gone Baron stood a moment alone. He looked
thoughtfully toward the upper right-hand box.
“I thought she was lost that day,” he mused. “I thought I was rescuing
her. And now I know she wasn’t really lost then. Not until afterward.
And now she has found her home again.”
TRANSCRIBER’S NOTES:
Italicized text is surrounded by underscores: _italics_.
Obvious typographical errors have been corrected.
Inconsistencies in hyphenation have been standardized.
Archaic or variant spelling has been retained.
Public-domain text, read in full here on John Shaqi.
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