Actresses -- Fiction; Families -- Fiction; Foster children -- Fiction; Girls -- Fiction; Social classes -- Fiction
Now she came forward, a light of eagerness in her eyes.
“That was a great speech you made,” she said.
Mr. Addis, gazing toward the empty staircase, seemed unaware of her
presence.
“It was good stuff,” she added, and then Mr. Addis turned to her with
an almost unseeing glance.
“I think it’s time for you to go off-stage,” she added nervously. “But
I’ll bet you one thing. When the big climax comes, you and Flora will
be standing in the middle of the stage, close together, and the rest
will be grouped about just to fill out the picture.”
She let him out at the door. She did not seem to be at all disturbed
because he seemed scarcely conscious of her presence.
CHAPTER XV
A QUESTION OF RECONSTRUCTION
In keeping with the Baron manner, no mention of Mr. Addis’s name was
made openly in the mansion the next morning. The normal atmosphere
was changed only by a more pronounced reticence, which doubtless hid
varying degrees of sullenness or resentment. But there was no lack of
politeness. On the contrary, there was an excess of it.
Of course it was realized that Mr. Addis had not been finally disposed
of. Mrs. Baron’s idea was to await developments--and so was Flora’s.
Only Bonnie May violated the well-established tradition of the
household.
Early in the morning she encountered Flora, and made occasion to
engage her in a brief conversation. Flora was planning to go out with
the McKelvey girls after breakfast, and she held in her hands the
green-and-silver tailored skirt when Bonnie May came upon her. She was
regarding it with the care and heartache of a young woman in love with
pretty things who has very few of them, and she did not seem quite
responsive when the child began a somewhat extraordinary commentary.
She scarcely heeded Bonnie May’s introductory words, but she _did_
begin to pay attention when she heard this:
“Of course I know I’ve got nothing to do with the giving out of parts,
but if I had, he’d strike me just right for the rôle of the husband.”
Miss Baron flushed. She knew just whom the child meant, but she felt
that she must pretend to some measure of doubt.
“What in the world are you talking about?” she asked. Her faint smile
robbed her words of sharpness.
“I think he’s just the kind that would look well to the people in the
gallery, and to the people down in the parquet, too. Mr. Addis.”
Flora sat down in an aimless fashion, holding the green-and-silver
skirt across her knees.
“Do you think,” she asked meditatively, “that he would look
well--anywhere?”
“Do you mean, do I think he would look--ridic’lous, anywhere?”
Miss Baron leaned back and looked with a sort of mournful joyousness at
the ceiling. “You do say such amazing things!” she declared. “To use
your word, You don’t think he would look ridiculous anywhere?”
“Never in the world!” was the emphatic response.
“But you know he isn’t at all like--well, like the leading men in
plays, for example.”
“You mean what they call matinée idols?”
Public-domain text, read in full here on John Shaqi.
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