Actresses -- Fiction; Families -- Fiction; Foster children -- Fiction; Girls -- Fiction; Social classes -- Fiction
And while he noted one impressive name after another, he was arrested
by an altogether amazing sound down in his mother’s sitting-room. Mrs.
Baron had been giving Bonnie May her music lesson, and now, the lesson
done, she was singing for her pupil.
The thin old voice faltered on some of the notes, but the words came
clear enough:
“... She’s all the world to me,
And for bonnie Annie Laurie....”
Baron smiled and shook his head.
“What was it,” he mused, “about a plan of reconstruction?”
Then he went down-stairs to telephone his acceptance to the man on the
_Times_.
Baggot he completely forgot.
* * * * *
When Baron entered the dining-room at dinner-time that evening Flora
looked at him with mild surprise.
“All dressed up and nowhere to go,” said she.
“But there is somewhere to go. I’m going to write up the Fairyland
opening. Would you like to go with me?”
“No, thank you.”
It was clearly understood that Baron’s question had been put in a
spirit of jest. It was understood that Flora and her kind did not go to
the Fairylands--and their kind.
But Bonnie May failed to grasp the situation.
“What’s Fairyland?” she inquired.
“A large enclosure occupied entirely by mad people, and with a theatre
in one corner.”
She ignored the reference to mad people. “Oh! a theatre. What are they
playing?”
“A piece called ‘The Second Mrs. Tanqueray,’” said Baron.
She sat up, swiftly erect, and clasped her hands. “How fine!” was her
comment. “Do you think you could take me?”
“I should say not!” Baron responded without thinking. His unthinking
refusal was a result of the habitual Baron attitude. But as he regarded
her thoughtfully, and noted the puzzled inquiry in her glance, he
couldn’t quite understand why he had been so emphatic, so confident of
being right. “It’s not a play a little girl would care for,” he added,
now on the defensive.
She smiled indulgently. “The idea! I mean, _anybody_ would be
interested in it.”
“What’s it about?” challenged Baron.
“A lady who died because they were unkind to her--even the people who
loved her. It’s about a lot of snobs and a--a human being.” She spoke
with feeling. She sensed the fact that again she was being required to
stand alone.
Baron frowned. “How in the world did you find out anything about a play
like that?”
“Miss Barry did it in Denver one time--when she was with a stock
company. I can’t understand why you speak as if there was something
wrong about it. I think it’s great. You can cry like anything when
you see it--because it seems as if what happens couldn’t have been
helped. It isn’t one of those things that’s been screwed around to make
everybody feel as if they’d been eating caramels. You remember it!”
Baron, Sr., engaged in carving the roast, twinkled somewhat darkly.
“You might get her to shape your criticism for you, Victor,” he
suggested.
“I don’t know if the editor would stand for ‘screwed around,’” said
Baron, “but upon my soul, I think she’s right.”
Public-domain text, read in full here on John Shaqi.
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