Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
From Dingwall the railway holds up the side of the Cromarty Firth by a
country of Munroes and Mackenzies, who have taken all the world for
their province. A notable natural feature here is the chasm of the
Black Rock, through which a stream from Loch Glass leaps in a series of
cascades gouging out an open tunnel that sometimes is only a few yards
wide at the top, whence one looks down upon waters foaming into gloomy
linns, an American cañon in miniature, its edges bristling like the
Trossachs, its mouth thus described by Hugh Miller:--
“The river--after wailing for miles in a pent-up channel, narrow as
one of the lanes of old Edinburgh, and hemmed in by walls quite as
perpendicular, and nearly twice as lofty--suddenly expands, first
into a deep, brown pool, and then into a broad, tumbling stream,
that, as if permanently affected in temper by the strict severity
of the discipline to which its early life had been subjected, frets
and chafes in all its after course, till it loses itself in the
sea. The banks, ere we reach the opening of the chasm, have become
steep and wild and densely wooded, and there stand out on either
hand giant crags, that plant their iron feet in the stream; here
girdled with belts of rank, succulent herbs, that love the damp
shade and the frequent drizzle of the spray; and there, hollow and
bare, with their round pebbles sticking out from the partially
decomposed surface, like the piled-up skulls in the great
underground cemetery of the Parisians.... And over the sullen pool
in front we may see the stern pillars of the portal rising from
eighty to a hundred feet in height, and scarce twelve feet apart,
like the massive obelisks of some Egyptian temple; while in gloomy
vista within, projection starts out beyond projection, like column
beyond column in some narrow avenue of approach to Luxor or Carnac.
The precipices are green, with some moss or byssus, that, like the
miner, chooses a subterranean habitat--for here the rays of the sun
never fall; the dead mossy water beneath, from which the cliffs
rise so abruptly, bears the hue of molten pitch; the trees, fast
anchored in the rock, shoot out their branches across the opening,
to form a thick tangled roof, at the height of a hundred and fifty
feet overhead; while from the recesses within, where the eye fails
to penetrate, there issues a combination of the strangest and
wildest sounds ever yet produced by water: there is the deafening
rush of the torrent, blent as if with the clang of hammers, the
roar of vast bellows, and the confused gabble of a thousand
voices.”
Public-domain text, read in full here on John Shaqi.
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