Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
But neither Mr. MacRitchie, in his _Fians, Fairies, and Picts_ and
other writings, nor any of his brother ethnologists, has much to tell us
about John o’ Groat, whose house is the shrine of so many cyclists,
wheeling piously from the Land’s End, a road of more than nine hundred
miles at the shortest, through hundreds of villages, scores of towns,
and dozens of cities or places of fame. All that way they come to see a
low grassy mound and a flagstaff in front of an hotel, a mile or two
west from the pointed stacks of Duncansbay Head. The story goes that
this John was a Dutchman by descent, whose family, split into eight
branches, kept up meeting for an annual feast; then to avoid squabblings
for precedence, John hit on the idea of an octagonal table in an
eight-sided house, with eight doors and eight windows, in which, let us
trust, his kinsmen were not at sixes and sevens. Here we may have some
hint of such a contest for chieftainship as is not unknown among
Highland clans, else the folk-lorists must find this a hard text to
expound. Three, seven, and nine are all mystic numbers; five is
time-honoured in the East, as four in the Western world; two and ten
have a practical importance; six bears with it a sense of satisfaction,
as do a dozen or a score; thirteen and fourteen fit themselves to legend
and superstition; even four-and-twenty blackbirds have been sagely
interpreted as the hours of the day and night; but what can one say of
eight in tale or history? It might take a mathematician to make a myth
here. Maybe the points of the compass, doubled for the sake of emphasis,
are at the bottom of it. Perhaps there is some political allusion to
James VI.’s Octavian board of administrators. Or may some printer, short
of copy, not
[Illustration: CRAGS NEAR POOLEWE, ROSS-SHIRE]
have tried his hand at composing an octavo legend? Possibly the story is
more or less true, in which the Scotticised Dutchman is further stated
to have flourished as owner of a ferry to the Orkneys. The suggestion
that his fare was a groat must give way before the fact of Groat being
apparently a real Dutch name. Nor is it “past dispute” that here geese
are bred from barnacles, as asserted by sundry authors, among them that
tourist of Cromwell’s time, Richard Franck, who seems to have made his
way so far, and gives us much quaint information about divinity,
scenery, and fishing, spoilt by a most affected style, by slap-dash
spelling of names, and by an evident “scunner” at his model Izaak
Walton.
Public-domain text, read in full here on John Shaqi.
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