Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
The Highland Line is an oblique one, in the main facing south-east; and
in much the same direction, between the head of deep inlets, extends the
cleft of some threescore miles that cuts the Highlands into near and off
halves, the former far the harder worked as a tourist ground, the latter
retaining more of its Celtic poverty, while not less richly endowed by
nature. From either side smaller glens and straths, each the “country”
of some clan, debouch into Glenmore, bed of a chain of lochs and streams
linked together as the Caledonian Canal, their varying levels made
navigable by the locks that come easier to a Sassenach tongue. This
canal is now nearly a century old. In the century before its trenches
were opened, King George’s soldiers had islanded the farther Highlands
by a road between three fortified posts, in the centre and at either end
of this Great Glen, thus used as a base for dominating and civilising a
region over which the fiery cross ran more freely than the king’s writ.
The northernmost of the three, Fort-George, above Inverness, is still a
military station, serving as depot for the Seaforth and Cameron
Highlanders.
Inverness is called the capital of the Highlands, though it lies on an
edge of Celtic Scotland, at the north end of the Great Glen, and near
the head of the Moray Firth. This is not a Gaelic city, whose
inhabitants had at one time the fame of speaking the best English in
Scotland, or, for the matter of that, in England, a merit sometimes
traced back to a colony of Cromwell’s soldiers. Of late years, to tell
the truth, the speech of Inverness has hardened and vulgarised somewhat
in the mouths of a very mixed population; yet still in some of the
secluded glens of the county may be heard a tongue not their own used
with a melodious refinement unknown within the sound of Bow Bells.
Smart, cheerful, and regularly built, Inverness has the air of a lowland
town, spread out on a river plain, across which fragments of the
Highlands have drifted from the grand mountains in view, as the Alps
from Berne. The Ness has the distinction of being the shortest river in
Britain, shorter even than London’s New River; but its course of only a
few miles, from Loch Ness to the Moray Firth’s inner recess, is enough
to make it a resort for big salmon and small shipping. Hector Boece
records a former great “plenty and take of herring,” which vanished “for
offence made against some Saint.” Sheltered from the winds of the east
and the “weather” of the west, the district has a genial climate where,
indeed, the air often “nimbly and sweetly recommends itself unto our
gentle senses.” Shakespeare, not having the advantage of _Black’s
Guide_, says little about the scenery around, which has been much
described in _Wild Eelin_, William Black’s last and not his worst novel,
though it has the deplorable fault of
[Illustration: INVERNESS FROM NEAR THE ISLANDS]
bringing in real personages not less thinly disguised than Inverness is
as Invernish.
Public-domain text, read in full here on John Shaqi.
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