Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
Hitherto the drenched tourist has been too ready to hasten away towards
drier Saxondom by steamboat or rail from the end of the Caledonian
Canal, ignorant what choice spots may hereabouts be lingered among, such
as that “Dark Mile,” which some have found better worth seeing than the
Trossachs, and Glen Nevis that, opening as a lush valley, mounts by
rushing falls into recesses of wild magnificence. Now the West Highland
Railway takes one on through Glenfinnan and the Lochiel country, where
Charles Edward raised that last standard of rebellion, against the
prudent judgment of the Cameron chief whose loyal pride yet followed it
to Culloden, and where a tall column records how a later Cameron fell as
gallantly in the service of the established dynasty. Thus we come to
Arisaig on the west coast, and to Mallaig opposite Skye, in which a book
that draws to its end must not venture to enter upon the most gloomily
grand aspects of Highland scenery. All this, like the country above the
Moray Firth, comes under the head of “counsels of perfection”; but every
conscientious Highland tour takes in Inverness, on the round made by the
Highland Railway and the Caledonian Canal, the most perfunctory minimum
being the Trossachs trip, which might be extended to pass by Oban and
the Clyde.
CHAPTER X
GLASGOW AND THE CLYDE
At the junction of salt and fresh water navigation, beside Fort-William,
the tourist begins a new stage of his journey, if in haste, speeding by
the West Highland Railway through beautiful glens and over bleak and
bare moorlands to come on the Clyde at Helensburgh. The older pilgrimage
is by steamer down Loch Linnhe to Oban, past Ballachulish, where, if the
Saxon can get his tongue round its name, he may land to visit “dreary
dark Glencoe,” whose grimly sublime seclusion seems in keeping with its
tragic memories and with its legendary fame as birthplace of Ossian.
Oban, “Charing Cross of the Highlands,” which Cockneys sometimes confuse
with Holborn, and which in thick weather may rather suggest the Tilbury
Docks, had in Dr. Johnson’s day one “tolerable inn,” now multiplied into
a forest of hostelries, “a huddlement of upstart houses,” above which
the shell of an unhatched Hydropathic looks down on darker ruins of the
“Land of Lorne.” Here the not impecunious traveller might tarry long to
visit the islands around or the lochs and falls inland. Turning his back
on the cloudy Atlantic, he may take the Caledonian Railway by Loch Awe,
Loch Tay and Loch Earn, and thus be wafted to Perth, Edinburgh, or
Glasgow, while at Tyndrum it is open to him to make a cut across to the
West Highland Line. But his most beaten path is still a watery one, on
to the Crinan Canal, and through it to Ardrishaig, where he enters on
the safe and luxurious navigation of the Clyde.
Public-domain text, read in full here on John Shaqi.
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