Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
The household is at once thrown into a confusion of packing, for by
seven o’clock next morning it is necessary to be in Glasgow to catch the
Oban steamer _Columba_, which seems rather a roundabout route for
residenters at Helensburgh. At this early hour the party punctually
embark, to be carried admiringly down the scenery of the Clyde, though,
indeed, the faithful steward and housekeeper, always in attendance,
shake their heads in sad harmony at every stage over the engines and
smoke stacks that are overshadowing good old Highland customs, the sole
example of which here given is unhappily referred to the Orkney
Kirkwall. Messrs. MacBrayne have no cause of complaint as to praise of
the steamer and her accommodations; but the proprietors of Murray’s
_Guide_, with which the party are provided rather than Black’s, might
find ground of action in the French printers’ libellous misspellings of
names. That work is duly drawn on for notices of Dumbarton Castle, of
Greenock, of ruined strongholds, and of the distant crests of Arran and
Ailsa Craig. The passengers hold stiffly aloof in groups, except of
course some French tourists, who bring their native sociability with
them; but there is none of the British _morgue_ about Partridge, when he
claps his hands in applause at the sight of a tower ruined for the
MacDouglases by his young mistress’ clan. They sail safely through the
Kyles of Bute, past Ardrishaig, by the Crinan Canal, then up the
Hebrides archipelago to Oban, where they install themselves, regardless
of expense, in the best rooms of the Caledonian Hotel, awaiting the
first fine sunset to catch the green ray.
At this _ville des bains_, not more than “a hundred and fifty years
old,” in August crowded with bathers, who do not satisfy French ideas of
propriety by a bathing costume _souvent trop rudimentaire_, our friends
soon fall in with Aristobulus Ursiclos, a mere Lowlander, who wears no
kilt but, on the contrary, aluminium spectacles and such like, and
having graduated both at Oxford and Edinburgh, is a scientist _pour
rire_, not to say a prig and pedant of the darkest dye, seizing every
chance to lecture on meteorology, mineralogy, chemistry, astronomy, in
short _de omni re scibili_. It goes without saying that Miss Campbell at
first sight takes a strong dislike to this false hero, who at once sets
about playing the superior person over such a childish fancy as the
green ray, also excites her contempt by his awkwardness at the British
game of “crocket.” Equally of course, a true hero has already been
provided, a ram caught in one of the handy thickets of romance as due
sacrifice to Hymen. This is Oliver Sinclair, a young and sympathetic
artist, who sends notes of his travels to the celebrated _Edinburgh
Review_, but at present has nothing more pressing on hand than to attach
himself to the party.
Public-domain text, read in full here on John Shaqi.
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