Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
Our heroine, having had the geological marvels of Staffa explained to
her, is so delighted that she proposes to buy the island. Their yacht
blown away before a storm, the passengers encamp in a cave and go
through perilous adventures, for the scenery of which the guide-book
comes in useful. Oliver Sinclair, whose life Helena had been the means
of saving at his first appearance on the scene, now in turn rescues her
in most romantic style; and the young pair are so taken up with each
other that they almost forget all about the green ray in search of which
those long-suffering uncles have been dragged so far. At last comes one
clear glorious sunset, lighting up a panorama of sea line that could not
but have excited admiration even in “the most prosaic merchant
(_negotiant_) of the Canongate.” As the sun disappears, all the party
behold the long-sought wonder, all but the hero and heroine, who are too
intent on the rays lit in each other’s eyes by a “light that never was
on sea or land.” After this, there is nothing left but “Bless you, my
children,” and a sumptuous marriage in “St. George’s Church, Glasgow,”
transported for the occasion, apparently, from Hanover Square. All
which, if one skip the guide-book passages, makes a very striking
account of Scottish manners and customs, but prompts some doubt of the
author’s accuracy when he comes to deal with such more remote regions as
the moon or the bottom of the sea.
It seems a rule with French writers to be careless about the local
colour of their foreign scenes. Well known is the haughty answer of
Victor Hugo to the Englishman who ventured to remonstrate with him on
his Lords “Tom Jim Jack,” and other ornaments of British aristocracy. He
at least spared Scotland,--or was it he who translated the Firth of
Forth by _le premier du quatrième_, as another _traducteur_ elevated “a
stickit minister” into _un prêtre assassiné_? If it be true that Dumas’
chief “ghost” was by origin a Scotsman named Mackay, that voluminous
romancer was ill-served in the wild work made for him of British
topography. D’Artagnan, landing at Dover, found our posts “pretty well
served,” so well, indeed, that starting at 2.30 P.M. he rode to London
in four hours, then on to Windsor, followed the king to a hunting-ground
two or three leagues beyond, and galloped back to Buckingham House, all
before nightfall, a feat that beats Dick Turpin and John Gilpin. When
Charles I. exclaimed “_Remember!_” with his dying breath, he was of
course addressing that _preux chevalier_ Athos, hidden below the
scaffold; and what Athos should remember was how the king had stowed a
million of money in two barrels under the vaults of the Abbey of
Newcastle. In due time Athos goes to turn up this deposit, then from
Monk’s camp at Coldstream on the Tweed, he and the General stroll over
to Newcastle in the course of half an hour or so. Athos of course comes
off successful in this midnight quest, but not so Monk, who, as M. Dumas
Public-domain text, read in full here on John Shaqi.
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