Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
The merchant rain that carries on
Rich commerce ’twixt the earth and sun.
The relations between the two chief cities of Scotland have been a
little stiff since Glasgow rose so high in the world, as how should a
laird of old pedigree, crippled by forfeitures and mortgages, not look
askance from his castellated turrets on the spick and span buildings of
an upstart millionaire neighbour, the one standing on his name and
title, the other on his shrewdness, honesty, and strict attention to
business rather than the graces of life. One suspects Sarah Tytler to be
no west-countrywoman, from her kindly hits at Glasgow cotton lords and
iron lords, with more money than they always knew what to do with, a
generation ago; yet she loudly extols their generosity and public
spirit; and in our time Bailie Jarvie’s successors have distinguished
themselves, like their rivals at Manchester and Liverpool, by a liberal
patronage of art, proof of which may be seen in the new Corporation
Gallery that is a legacy of the last Exhibition. Edinburgh wits are not
so scornful now towards Glasgow cits, as in the days when Kit
North--himself a Paisley body--joked his coarsest at the expense of the
“Glasgow Gander,” and Aytoun told scandalous tales of the Glenmutchkin
Railway and the Dreepdaily Burghs.
In spirit and sentiment, the two cities have not always seen eye to eye.
Auld Reekie often showed herself a bit of a Tory, the ladies of the
family having even a tenderness for Jacobitism and philabegry, since Rob
Roy lived not so close to their gates, and they knew the Dougal Cratur
only as a red-nosed porter or town-guard of bygone days: thus the Red
Indian, beneath whose war-paint the western settler could see no good
unless mark for a bullet, might be hailed as a noble savage in Boston or
New York. But Glasgow has always been
[Illustration: LOCH TRIOCHATAN, ENTRANCE TO GLENCOE, ARGYLLSHIRE]
Whig, with grey homespun for its own wear rather than the tartans it
manufactured in the way of business. It would have as little dealing as
might be with the Pretender, an unwelcome guest who took it on his way
back to the Highlands, and forced the citizens to rig out his ragged
army with coats, shirts, and bonnets. In the troubled days of early
Radicalism, again, the city of the west seethed with sedition, almost
breaking out into revolt.
Public-domain text, read in full here on John Shaqi.
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