Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope MoncrieffMoncrieff, A. R. Hope (Ascott Robert Hope)
History
Bonnie Scotland: Painted by Sutton Palmer; Described by A.R. Hope Moncrieff
Moncrieff, A. R. Hope (Ascott Robert Hope)
Scotland -- Description and travel
This singer of the people’s joys and sorrows represents the soft side to
a strong nature. From the scene of his last days it is but a step to
Annandale, cradle of a neighbour genius that is Scotland’s boast rather
than her darling. Thomas Carlyle, who ascended into such a clear heaven
of contempt for the “mostly fools” of his “swindler century,” fell short
of Burns in one highest point of wisdom. He knew himself hardly better
than did his amazed contemporaries; and seems never to have guessed what
short work some of his admired strong men would have made of one who
preached the gospel of silence in such long-drawn screeds of rhetoric,
rising often to a falsetto note. An unchristianised Calvinist and
Covenanter; a poet “wanting the accomplishment of verse”; a painter in
“hues of earthquake and eclipse”; a philosopher who “thought in a
passion”; a Stoic who could not abide the crowing of a cock; an
historian who “saw history in flashes of lightning”; a reformer “calling
down fire from heaven whenever he cannot readily lay his hand on the
match-box”; a painful preacher who has ministered more amusement than
repentance; a prophet who could not recognise the master force of his
own age; a ferocious moralist and a bitter humorist, this “great
imperfect man” owes much of his renown to a gnarled eccentricity which
at first scared away readers, but more to the ardour that has inspired
so many minds rejecting both his premises and his conclusions. To some
who receive _Sartor Resartus_ into the canon of immortality, his
idolatry of strength, so natural to the sedentary, bilious student,
seems the weakness of his character, through which he was led to work up
bloodshot halos for unscrupulous violence, from his fancy picture of Dr.
Francia to his fond glorification of Frederick the Great, till at last
he appears struggling to pervert his own moral judgment. A countryman of
his who, but for another weakness, might have made himself better
known, Patrick Proctor Alexander, has well exposed his obliquity of
vision in a burlesque that shows as much wisdom as fooling; and to my
mind the soundest judgment of Carlyle comes across the Atlantic from
James Russell Lowell:--
Public-domain text, read in full here on John Shaqi.
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