Books and Habits, from the Lectures of Lafcadio HearnHearn, Lafcadio
History
Books and Habits, from the Lectures of Lafcadio Hearn
Hearn, Lafcadio
English literature -- History and criticism; Literature -- History and criticism; Poetry -- History and criticism
Now as a description of jealousy, not to speak of the literary execution
at all, which is the best? What, we may ask, has been gained by calling
jealousy "a flame of the Lord" or by substituting the word "flashes" for
"coals of fire"? All through the new version are things of this kind. For
example, in the same Song of Songs there is a beautiful description of
eyes, like "doves by the rivers of waters, washed with milk, and fitly
set." By substituting "rivers" only for "rivers of waters" the text may
have gained in exactness, but it has lost immeasurably, both in poetry and
in sound. Far more poetical is the verse as given in the Douai version:
"His eyes are as doves upon brooks of waters, which are washed with milk,
and sit beside the beautiful streams."
It may even be said without any question that the mistakes of the old
translators were often much more beautiful than the original. A splendid
example is given in the verse of Job, chapter twenty-six, verse thirteen:
"By his spirit he hath garnished the heavens; his hand hath formed the
crooked serpent." By the crooked serpent was supposed to be signified the
grand constellation called _Draco_, or the Dragon. And the figure is
sublime. It is still more sublime in the Douai translation. "His obstetric
hand hath brought forth the Winding Serpent." This is certainly a grand
imagination--the hand of God, like the hand of a midwife, bringing forth a
constellation out of the womb of the eternal night. But in the revised
version, which is exact, we have only "His hand hath pierced the Swift
Serpent!" All the poetry is dead.
Public-domain text, read in full here on John Shaqi.
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