Books and Persons; Being Comments on a Past Epoch, 1908-1911Bennett, Arnold
History
Books and Persons; Being Comments on a Past Epoch, 1908-1911
Bennett, Arnold
Literature, Modern -- History and criticism
In spite of the antipathy which is aroused, "The Cherry Orchard" is quite
inoffensive. For example, there is nothing in it to which the Censor could
possibly object. It does not deal specially with sex. It presents an
average picture of Russian society. But it presents the picture with such
exact, uncompromising truthfulness that the members of the Stage Society
mistook nearly all the portraits for caricatures, and tedious
caricatures. In naturalism the play is assuredly an advance on any other
play that I have seen or that has been seen in England. Its naturalism is
positively daring. The author never hesitates to make his personages as
ridiculous as in life they would be. In this he differs from every other
playwright that I know of. Ibsen, for instance; and Henri Becque. He has
carried an artistic convention much nearer to reality, and achieved
another step in the evolution of the drama. The consequence is that he is
accused of untruth and exaggeration, as Becque was, as Ibsen was. His
truthfulness frightens, and causes resentment.
* * * * *
People say: "No such persons exist, or at any rate such persons are too
exceptional to form proper material for a work of art." No such persons, I
admit, exist in England; but then this play happens to be concerned with
Russia, and even the men's costumes in it are appalling. Moreover, persons
equally ridiculous and futile do exist in England, and by the hundred
thousand; only they are ridiculous and futile in ways familiar to us. I
guarantee that if any ten average members of the august Stage Society
itself were faithfully portrayed on the stage, with all their mannerisms,
absurdities, and futilities, the resulting picture would be damned as a
gross and offensive caricature. People never look properly at people;
people take people for granted; they remain blind to the facts; and when
an artist comes along and discloses more of these facts than it is usual
to disclose, of course there is a row. This row is a fine thing; it means
that something has been done. And I hope that the directors of the Stage
Society are proud of the reception of "The Cherry Orchard." They ought to
be.
SEA AND SLAUGHTER
[_6 July '11_]
Public-domain text, read in full here on John Shaqi.
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