Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century, Vol. IPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman Empire to the close of the seventeenth century, Vol. I
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
At the time of Filelfo’s death, while in many other cities the
influence of the Renaissance was bringing together collections of books
and circles of scholars, and literary productiveness was increasing
throughout Italy, Florence still remained the capital of learning and
of refined culture. Lorenzo de’ Medici had, in 1469, succeeded to
Pietro, and of all the Medici it was Lorenzo whose influence was the
most important in furthering the intellectual and artistic movements
of the time. Symonds speaks of him as “a man of marvellous variety and
range of mental power, in whom ... the versatility of the Renaissance
found its fullest incarnation.”
Lorenzo attracted to his villa the greatest scholars and most brilliant
men of the time, a circle which included Poliziano, Landino, Ficino,
Pico della Mirandola, Alberti, Pulci, and Michael Angelo. The interests
of this circle, as of all similar Italian circles of the time, were
largely absorbed in the philosophy and literature of Greece, and
special attention was devoted to the teachings of Plato. Plato’s
writings were translated into Latin by Ficino, and the translation
was printed in 1482, at the cost of Filippo Valvio. Ficino was too
poor himself to undertake the publication of his works, and this was
the case with not a few of the distinguished authors of the age. The
presentation of books to the public required at this time what might be
called the endowment of literature, an endowment which was supplied by
the liberality of wealthy patrons possessed of literary appreciation
or public-spirited ambition, or of both. As Symonds expresses it,
“Great literary undertakings involved in that century the substantial
assistance of wealthy men, whose liberality was rewarded by a notice
in the colophon or in the title-page.” The formal dedication was an
invention of a somewhat later date.
The Ficino edition of _Plotinus_, printed at the expense of Lorenzo
de’ Medici, and published a few weeks after his death, bears the
inscription, _Magnifici sumptu Laurentii patriæ servatoris_. The
edition of _Homer_ of Lorenzo Alopa, issued in 1488, was printed at the
expense of either Bernardo Nerli or Giovanni Acciajuoli. These examples
of printed publications belong, however, to a later chapter. Ficino
followed up his translation of Plato’s work with a _Life of Plato_, and
an essay on the _Platonic Doctrine of Immortality_.
Public-domain text, read in full here on John Shaqi.
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