Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
of the publishing undertakings of Erasmus has been given in another
chapter.
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CHAPTER XI.
THE HOUSE OF PLANTIN.
1555-1650.
THE House established in Antwerp, in 1555, by Christophe Plantin
secured for itself high distinction among the printer-publishers of the
century, and, as well for the beauty and importance of the productions
of its presses, as by reason of the exceptional length of its history
as a business concern, it must always hold an honourable place in
the record of the great publishers of the world. Plantin’s work as a
pioneer was, however, not so difficult, so distinctive, or so important
as that of several of his great predecessors, such as Aldus, Badius,
Estienne, or Froben. At the time Plantin printed his first book, in
1555, a century had elapsed since the Press of Gutenberg had begun
its work, and the technical difficulties which had beset the earlier
printers had been very largely overcome; publishing machinery had been
created, and methods for the distribution of books had been arrived
at; while the scholars of the universities had learned to utilise
their attainments for editorial work, and fairly trustworthy texts of
the greater number of the world’s classics were already available in
printed form for the use of the compositors in the preparation of later
and possibly improved editions.
Unlike many of his famous predecessors and contemporaries among the
publishers, Plantin laid no claim to erudition, and although he was a
good linguist, he is not to be classed with the scholars of his time.
Nor would it be fair to say of him that he was actuated in his work by
as high ideals as those which impelled men like Aldus and Estienne. He
had, like them, literary ambitions, and a certain literary imagination,
but the question of direct profit filled a larger place and exercised
a more continued influence on his business policy and decision. In
religion and in politics Plantin was also evidently something of a
trimmer, and he was prepared from time to time, if not to sacrifice
convictions, yet to be very economical in the assertion of convictions
if reticence seemed likely to further commercial advantage.
Public-domain text, read in full here on John Shaqi.
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