Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
“Historia Frumentorum,” with eighty-four plates.
1581. Works of S. Augustine, in ten volumes.
Works of S. Jerome, in five volumes.
Ortellius, the Geographer, Maps and “Theatrum Orbis.”
Mercator, the Maps of.
1583. “Stirpium Historia Pomptades Sex.”
A Description of the Netherlands, by Guicciardini, printed, with
many illustrations, in German, Latin, French, Flemish, and Italian.
The elaborate plans of the cities were paid for by the
municipalities interested. The author received as his compensation
one hundred and fifty florins and a number of copies of the book.
“Humanæ Salutus monumenta,” by Arias Montanus, with seventy-two
plates.
1575-85. A long series of Musical Works, for the text of which
special fonts had to be made.
In 1567, Plantin coöperated with Paul Manutius (the son of Aldus), who
was at that time established in Rome, in the production of a series of
Breviaries, eleven in all. Manutius had secured for the work a papal
privilege covering all the Catholic States, and as consideration for
the assignment of this privilege for the Netherlands, Plantin was to
pay one tenth of all the copies printed by him. A royal privilege,
confirming the papal sanction, was secured from Philip II., who also
advanced 2000 florins to facilitate the publication. Later, Plantin was
relieved from the payment to Manutius of the tenth, the Pope having
authorised, for the dominions of Philip, a somewhat different form of
Breviary. This undertaking proved very remunerative.
In 1557, Plantin’s consignment to the Frankfort Fair comprised no
less than 1200 volumes, together with a large assortment of prints
from copper plates. He was at this time, unquestionably, one of the
two leading publishers of the world, the other being Henry Estienne
of Geneva. In the publication of elaborately illustrated works, of
illustrations for separate sale, and of finely engraved maps, his work
represents an enormous advance over anything that had before been
attempted, and it is difficult to-day to understand how the resources
at his command and the markets within his reach could have been
sufficient to warrant the production of works of such magnitude and
costliness.
Public-domain text, read in full here on John Shaqi.
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