Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
Plantin had on his permanent staff a number of correctors and revisers.
Ghisebrecht, with a knowledge of Latin and Greek, and with capacity
to edit texts, received board and lodging and sixty florins yearly,
and Van der Eynde, with a somewhat larger range of scholarship, was
paid yearly one hundred and fifty to two hundred and ten florins.
Plantin had, in the organisation of his staff, a more complicated task
than had fallen upon his publishing predecessors. The books of Aldus,
Badius, and Estienne had been published almost exclusively in Latin or
in Greek. With the enlargement of the range in the demand for books
adapted for the wider education of the generation supplied by Plantin,
it became necessary to provide reading material in the vernacular.
Latin, while still the language of scholarship, was ceasing to be the
exclusive language of literature. It was further the case that the
publishing undertakings of the second half of the sixteenth century
were no longer limited to reissues of the works of classic writers.
Plantin’s list included the writings of a considerable number of
contemporary authors. The work of providing literature of the day for
readers of the day had begun to take shape, and Plantin was the first
of the mediæval publishers whose books were deliberately planned for
what to-day would be called a popular circulation. With this widening
of the circle of readers, came at once a problem which, for a capital
like Antwerp and for dominions like those of the King of Spain,
presented special complexities. Plantin’s catalogue of 1566 included
works in Latin, Greek, Hebrew, French, German, Spanish, Italian,
Flemish, Dutch, and English. In order properly to supervise for the
compositors the text of works in these various tongues, and in order to
ensure a correct reading of the proofs, it was, of course, necessary
to secure the services of editors, proof-readers, and compositors who
possessed a scholarly, or at least a working knowledge of the languages
in question. A similar requirement obtained in the publishing-office,
the business of which had to be conducted in three or four languages.
It was necessary, therefore, for Plantin’s purposes, to employ a
polyglot staff, a necessity which had obtained to a much smaller degree
with the contemporary publishers in Paris, Basel, or Nuremberg, and
which at that time hardly called for consideration in London.
Public-domain text, read in full here on John Shaqi.
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