Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
In 1533, the question of copyright was again attracting attention.
The law of 1517 had not worked well, and abuses had arisen under it.
No definition had been given limiting or constructing the term _opus
novum_, and the contention had been made that very slight additions or
alterations in a book already published would constitute it a new work
within the meaning of the act. It was only necessary for a publisher
to make application, under such a contention, for a copyright for a
previously unprinted classic, to prevent the work from being printed by
any other publisher.
A decree was now issued ordering that a publisher must complete the
publication of a work within twelve months from the date of securing
his copyright, under pain of the forfeiture of the copyright. A
modification was afterwards made under which, if the work was too large
to be completed within a year, the copyright could be preserved by the
production of not less than one folio a day. If the work were printed
out of Venice, the copyright was forfeited. No publisher could apply
twice for a copyright for the same work. The matter of prices was also
gone into; and publishers were directed to submit to the Bureau of
Arts and Industries an advance copy of each new book, which was to be
appraised by experts and the price set by them was to be that at which
the book should be published. No copies were to be sold at any higher
price.
In 1537, a further law was enacted, directed to the protection of the
interests of the consumer, and to the wholesome development of the
trade of book-manufacturing. The preamble speaks of “the ruinous and
disgraceful practices of the Venetian printers,” who used to be the
best in the world, and complains that now, for the sake of gain, they
use vile paper that will not hold the ink and that cannot be written
upon with marginal notes. This blemish cannot be due to any difficulty
in securing proper material, as foreign books come to Venice printed on
excellent paper.
It is, therefore, ordered that under a penalty of forfeiture of
copyright and a fine of one hundred ducats, all copyrighted books must
be printed on paper that can be written upon without blotting. This
penalty shall be incurred if of any edition five copies blot, and
a copy shall be held to be defective if any five leaves in it blot.
Pamphlets and books below the value of ten _soldi_ are excepted from
the provisions of the law. New books are again defined as works which
have never been published before. The execution of the law is given to
the _Avogadori di Comun_, the law officers of the State.[151]
Public-domain text, read in full here on John Shaqi.
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