Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
The establishment of a system of censorship did not meet all the
difficulties in the way of a thorough supervision and regulation of
literature. The University Commissioners, to whom had been referred
the censorship other than ecclesiastical, were apparently not always
able to make examination of all pending publications or did not, at
least, always insist upon a personal examination. The publishers began
to make a practice (on the ground of lightening the labours of the
Commissioners) of having their forthcoming works examined by readers
selected by themselves.
On the strength of a favourable report from these friendly examiners,
the Commissioners would issue their certificate that the work contained
nothing objectionable, and with this _testamur_ the publishers
would secure, without further question, the _imprimatur_ of the Ten.
Under this procedure a number of objectionable works found their way
into print. The Commissioners finally, in 1562, gave orders to their
secretary that thereafter no authorisations should be given for any
printing whatsoever until the work had been examined and favourably
reported upon, first, by the Inquisitor or one of his vicars, or by
some person selected by the Tribunal of the Inquisition; second,
by the Reader in philosophy or some other public reader; third, by
a ducal secretary. The petitioner for a certificate was to bring a
_testamur_ signed by each of these, declaring that there was nothing
in the book contrary to religion, nothing injurious to morality, and
nothing hostile to princes, and that it was worthy to see the light.
The _testamurs_ should state the number of leaves in the book and must
quote the first and last lines.
After the book had been printed, but before it was issued to the
public, a copy was to be submitted to the _Rifformatori_ in order that
they might assure themselves that no additions or alterations had been
made after the securing of the _imprimatur_. Each of the three persons
who should examine the book was to be paid the sum of one _bezzo_ for
each leaf (sheet?). The _bezzo_ was worth the one hundred and sixtieth
part of a ducat. All the expenses connected with the three examinations
and with the issue of the _imprimatur_ must be borne by the petitioner.
Four years later, in 1566, it was ordered that all persons obtaining
licences should, before printing their works, register their licences
at the office of the _Esecutori contro la Bestemmia_, but for such
registration there should be no charge. This is the first attempt
that was made to institute a complete registry of the publications
of Venice. Unfortunately, the law was persistently evaded, and the
registers which have come down to us are very incomplete.
Public-domain text, read in full here on John Shaqi.
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