Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
Venetian publishers had interested themselves largely in the production
of non-religious books, such as editions of the classics, the writings
of the poets, and romances, and Paruta was especially anxious to
prevent this class of publications from being interfered with, and
took pains, therefore, to emphasise that it had no importance for
the purposes of the Church. The arguments of Paruta, and similar
protests which came to Rome from Germany and from Paris had the effect
of convincing the Pope that some modifications in his _Index_ were
necessary. The matter remained in abeyance for some four months longer,
when the _Index_ was finally printed, but much altered and diminished.
Among the omissions from the first lists were the titles of the whole
class of non-religious books printed in Venice, in behalf of which
Paruta had spoken.
In the year 1594, Clement VIII. granted to a Venetian publisher,
Domenico Bassa, a copyright of a very comprehensive character. It
covered, in the first place, a specific list of books (which was
attached to the order), and, secondly, all other books of which
Bassa should issue the first editions, and gave him full control
of the same for the term of ten years. Any persons infringing this
copyright were to be subjected to fines, confiscation of their books,
and excommunication. The privilege covered territory both within and
without Italy. The book-trade of Venice petitioned the Government
against the continuance of any such privilege, contending that it
was calculated to bring immoderate gains to one man, and that if
it were fully enforced, the Venetian publishers would be compelled
either to emigrate to Rome or to abandon their business. The Venetian
Government instructed its Ambassador, Paruta, to protest against
this extraordinary monopoly granted to Bassa, as well because of its
interference with interests of the home book-trade, as on the broader
ground that it was an assault upon the independence of the Republic. He
also contended that there was no precedent for the use in purely lay
matters of ecclesiastical weapons.
The Pope replied that according to his understanding, the copyright
given to Bassa applied only to books in the Vatican library, but that
he would refer the matter to the Congregation of the _Index_.
Paruta reported to his Government that Bassa was bankrupt, and that the
Venetian publishers need not fear his competition. It was, further,
his impression that Bassa had obtained the privilege principally as
a “bluff” to his creditors. The privilege was not recalled, but does
not appear ever to have been utilised by Bassa. Much to the discontent
of Venice, however, the precedent remained of authority claimed if not
exercised by Rome over copyrights throughout Italy. The _Clementine
Index_ was published in 1596, and, as finally framed, modified very
materially the severe regulations of the _Sistine Index_ of 1590.
Public-domain text, read in full here on John Shaqi.
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