Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. IIPutnam, George Haven
History
Books and their makers during the Middle Ages : $b A study of the conditions of the production and distribution of literature from the fall of the Roman empire to the close of the seventeenth century, Vol. II
Putnam, George Haven
Books -- History -- 400-1450; Copyright; Freedom of the press -- History -- To 1500; Manuscripts; Printers
One of the manuscript-dealers with whom Casaubon, as an impecunious
collector, came into relations, was Darmarius, described as one of the
last of the caligraphs, a class which in Italy and in the university
towns of Germany survived for nearly half a century the invention of
printing. Darmarius had access to the libraries of Venice and Florence
and travelled about Europe to sell his copies. His manuscripts, says
Pattison, were not works of art like the productions of the pen of a
Vergecio or a Rhosus, made to adorn the collections of princes and
cardinals. The books sold by Darmarius were hasty transcripts, written
on poor paper, chiefly of certain unpublished works that he had found
in the library of Cardinal Bessarion.[34] They did not make up for
their want of beauty by the accuracy of their text, for the transcriber
does not seem to have known even the grammar of classic Greek, but for
these wretched copies he was able to secure from scholars hungry for
books, great prices. For a _Polyæmus_, Casaubon paid, in 1578, “a great
sum,” _magno ære_, and for a _Julius Africanus_ three hundred crowns,
almost its weight in silver, but neither of these authors was as yet in
print.
The admission of Casaubon into the family of the great publisher, so
far from adding to his opportunities for getting his writings before
the public, did not even secure for him any additional facilities for
their preparation. Reference has already been made in the sketch of
Henry Estienne to the jealous selfishness with which, particularly
in the later years of his life, he retained in his own hands his
collections of books and of manuscripts. But few friends appear to have
ever secured from him permission to utilise his literary stores, while
of his learned son-in-law he was particularly jealous. Casaubon was
one of the few scholars in Europe who was competent to edit, from the
original, a Greek text, and although in certain respects Estienne’s
scholarly ideals were high, he seems to have laid more stress upon his
individual prestige than upon the advance of learning.
Public-domain text, read in full here on John Shaqi.
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