Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump;: Being a First Selection from the Literary Remains of George Boon, Appropriate to the TimesWells, H. G. (Herbert George)
Philosophy
Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump;: Being a First Selection from the Literary Remains of George Boon, Appropriate to the Times
Wells, H. G. (Herbert George)
English fiction -- 20th century; Satire
Wilkins the author began to think about the Mind of the Race quite
suddenly. He made an attack upon Boon as we sat in the rose-arbour
smoking after lunch. Wilkins is a man of a peculiar mental
constitution; he alternates between a brooding sentimental egotism and
a brutal realism, and he is as weak and false in the former mood as he
is uncompromising in the latter. I think the attraction that certainly
existed between him and Boon must have been the attraction of
opposites, for Boon is as emotional and sentimental in relation to the
impersonal aspects of life as he is pitiless in relation to himself.
Wilkins still spends large portions of his time thinking solemnly
about some ancient trouble in which he was treated unjustly; I believe
I once knew what it was, but I have long since forgotten. Yet when his
mind does get loose from his own "case" for a bit it is, I think, a
very penetrating mind indeed. And, at any rate, he gave a lot of
exercise to Boon.
"All through this book, Boon," he began.
"What book?" asked Dodd.
"This one we are in. All through this book you keep on at the idea of
the Mind of the Race. It is what the book is about; it is its theme.
Yet I don't see exactly what you are driving at. Sometimes you seem to
be making out this Mind of the Race to be a kind of God----"
"A synthetic God," said Boon. "If it is to be called a God at all."
Dodd nodded as one whose worst suspicions are confirmed.
"Then one has to assume it is a continuing, coherent mind, that is
slowly becoming wider, saner, profounder, more powerful?"
Boon never likes to be pressed back upon exact statements. "Yes," he
said reluctantly. "In general--on the whole--yes. What are you driving
at?"
"It includes all methods of expression from the poster when a play is
produced at His Majesty's Theatre, from the cheering of the crowd when
a fireman rescues a baby, up to--Walter Pater."
"So far as Pater expresses anything," said Boon.
"Then you go on from the elevation this idea of a secular quasi-divine
racial mental progress gives you, to judge and condemn all sorts of
decent artistic and literary activities that don't fall in or don't
admit that they fall in...."
"Something of that idea," said Boon, growing a little
testy--"something of that idea."
"It gives you an opportunity of annoying a number of people you don't
like."
"If I offend, it is their fault!" said Boon hotly. "Criticism can have
no friendships. If they like to take it ill.... My criticism is
absolutely, honest.... Some of them are my dearest friends."
"They won't be," said Wilkins, "when all this comes out.... But,
anyhow, your whole case, your justification, your thesis is that there
is this Mind of the Race, overriding, dominating---- And that you are
its Prophet."
"Because a man confesses a belief, Wilkins, that doesn't make him a
Prophet. I don't set up--I express."
"Your Mind of the Race theory has an elegance, a plausibility, I
admit," said Wilkins.
Public-domain text, read in full here on John Shaqi.
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