Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump;: Being a First Selection from the Literary Remains of George Boon, Appropriate to the TimesWells, H. G. (Herbert George)
Philosophy
Boon, The Mind of the Race, The Wild Asses of the Devil, and The Last Trump;: Being a First Selection from the Literary Remains of George Boon, Appropriate to the Times
Wells, H. G. (Herbert George)
English fiction -- 20th century; Satire
"At least the Germans stand for something. It may be brutal, stupid,
intolerable, but there it is--a definite intention, a scheme of
living, an order, Germanic Kultur. But what the devil do _we_ stand
for? Was there anything that amounted to an intellectual life at all
in all our beastly welter of writing, of nice-young-man poetry, of
stylish fiction and fiction without style, of lazy history, popular
philosophy, slobbering criticism, Academic civilities? Is there
anything here to hold a people together? Is there anything to make a
new world? A literature ought to dominate the mind of its people. Yet
here comes the gale, and all we have to show for our racial thought,
all the fastness we have made for our souls, is a flying scud of paper
scraps, poems, such poems! casual articles, whirling headlong in the
air, a few novels drowning in the floods...."
§ 5
There were times during his illness and depression when we sat about
Boon very much after the fashion of Job's Comforters. And I remember
an occasion when Wilkins took upon himself the responsibility for a
hopeful view. There was about Wilkins's realistic sentimentality
something at once akin and repugnant to Boon's intellectual mysticism,
so that for a time Boon listened resentfully, and then was moved to
spirited contradiction. Wilkins declared that the war was like one of
those great illnesses that purge the system of a multitude of minor
ills. It was changing the spirit of life about us; it would end a vast
amount of mere pleasure-seeking and aimless extravagance; it was
giving people a sterner sense of duty and a more vivid apprehension of
human brotherhood. This ineffective triviality in so much of our
literary life of which Boon complained would give place to a sense of
urgent purpose....
"War," said Boon, turning his face towards Wilkins, "does nothing but
destroy."
"All making is destructive," said Wilkins, while Boon moved
impatiently; "the sculptor destroys a block of marble, the painter
scatters a tube of paint...."
Boon's eye had something of the expression of a man who watches
another ride his favourite horse.
"See already the new gravity in people's faces, the generosities, the
pacification of a thousand stupid squabbles----"
"If you mean Carsonism," said Boon, "it's only sulking until it can
cut in again."
"I deny it," said Wilkins, warming to his faith. "This is the firing
of the clay of Western European life. It stops our little arts
perhaps--but see the new beauty that comes.... We can well spare our
professional books and professional writing for a time to get such
humour and wonder as one can find in the soldiers' letters from the
front. Think of all the people whose lives would have been slack and
ignoble from the cradle to the grave, who are being twisted up now to
the stern question of enlistment; think of the tragedies of separation
and danger and suffering that are throwing a stern bright light upon
ten thousand obscure existences...."
Public-domain text, read in full here on John Shaqi.
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