Borderland : $b a country-town chronicleFothergill, Jessie
General
Borderland : $b a country-town chronicle
Fothergill, Jessie
English fiction -- 19th century
‘Mr. Camm, you must listen to me. I believe I am the cause of this
scene, but I swear it is without fault of mine that it has arisen.
He wished me to promise him, earlier in the evening, when I was at
his house, that I would let him hand me on to the stage when our
song came, and said he would remain in this room while I was here. I
said he had nothing to do with the concert, and that I would not
consent to it. He replied that he would have his revenge—very manly
and nice of him, of course. I suppose this is it, and I must say it
seems pitiful to me. If I had known, nothing would have induced me
to come here. I can only say he is beside himself, and——’
‘That will scarcely do,’ said Roger, turning away. ‘He is not
acknowledged as a lunatic yet, nor shut up, whatever he ought to be,
and I will thank him——’
Here the door again opened, and all the performers came into the
room. Magdalen said imploringly to Roger—
‘Please go and play the prelude. I will _make_ him behave himself.’
There was no time to be lost, and Roger, after hesitating a second
or two, followed her directions. Magdalen turned to Otho. For once
she found him deaf and senseless to her words. She bade him go to
the concert-room. He flatly refused to do so, with a bow and a
smile. She said she would not go in herself, if he did not do as she
told him; to which he replied, that in that case he would himself go
forward, and say that since Miss Wynter was in a bad temper and
refused to sing, he offered himself as a substitute. All this passed
in low tones, the pantomime being eagerly watched by those who had
come in, and who could see the gestures of the speakers and their
faces, without hearing their words.
The man’s vindictive determination prevailed. If he were mad there
was method in his madness. He was prepared to throw all appearances
to the winds, and to say or do whatever came uppermost. Magdalen was
not; and she had little time in which to decide. Otho offered his
arm to Ada, and they went on to the stage in the order before spoken
of.
When they all returned to the ante-room, Ada was more uneasy and
less triumphant than she had been; and greatly embarrassed too, by
Otho’s marked attentions in the face of the other performers, who,
so far from being awestruck at the distinction conferred upon her,
seemed to be tittering amongst themselves at the absurdity of the
whole affair.
Roger walked up to Ada, and asked her gravely and quietly if she had
to sing again.
‘No, Roger,’ said she, in a subdued voice.
‘Then I think you had better let me take you home,’ he said gently,
and offered her his arm. Ada took it instantly.
‘Oh, nonsense!’ began Otho. ‘We can’t do with that. She——’
‘Be good enough to stand out of the way,’ said Roger, fixing his
eyes upon him with a steady look that boded anything but peace
between them in the future. ‘I will take Miss Dixon home now. There
has been foolery enough to-night. I will settle with you to-morrow.’
Public-domain text, read in full here on John Shaqi.
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