Borderland : $b a country-town chronicleFothergill, Jessie
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Borderland : $b a country-town chronicle
Fothergill, Jessie
English fiction -- 19th century
‘Yes, that is a very fine idea,’ said Gilbert, with ready
benevolence—‘that theory of overcoming evil with good. The thing is,
how far is it practicable? You speak as a woman, and a good woman. I
see as a man, and a man of the world. And speaking from my knowledge
of men in general, and of your brother Otho in particular, I should
say Miss Wynter would make him a far more suitable wife than the
best of women, filled with high aspirations and noble aims. Magdalen
Wynter understands him by reason of being composed of a similar
clay. Understanding him, she will lead him—at least, very often. A
saint would simply exasperate him into something ten times worse
than he is. You do not know the ease, the comfort, and the help it
is to be understood; how it can keep a wavering man in the right,
and drag a sinning man out of the wrong. Good people don’t need half
as much understanding as bad ones, and with due respect to you and
to current notions on the subject, saints and people who never do
wrong are not those who are the most sympathetic and comprehending.
It sounds very degrading, I daresay, but it is true—true as anything
can be.’
Gilbert spoke with much more emphasis than usual, and with a shade
of bitterness in his tone. Had Roger Camm been there, he would have
understood it in a moment; it would have confirmed some vague
suspicions long entertained by him. But to Eleanor, it seemed as if
Gilbert were composing an apology for wrong-doing; making it out as
being rather meritorious than otherwise. With emphasis equal to his
own, and with some bitterness in her tone also, she replied—
‘I daresay you may be right. Men of the world usually are right, on
the outside, at any rate; but I look inside, and it seems to me that
all this is very sad and dreadful, too. Life is full of these
horrible contradictions, and it appears as if you can never have any
good or beautiful thing without, as it were, a heap of dust and
ashes beside it, spoiling it all.’
Gilbert laughed a little, and she felt chilled—not vexed with him—as
she was conscious she ought to have been, but discouraged by the
fact that he was about to differ from her.
‘Why, of course,’ he admitted. ‘Is it not in the very nature of
life, as we know life, that it should be so? What are the good and
beautiful things, as you call them, except sacrifices and
aspirations or struggles after something higher and better than our
everyday fight and grind? And how can you have beautiful sacrifices
without something bad and mean to call them out? and how can you
aspire after the better, without a worse which makes the better
desirable to you? But for the dustheaps, I do not really see how the
shrines and temples would ever get their due share of admiration.’
Public-domain text, read in full here on John Shaqi.
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