Borderland : $b a country-town chronicleFothergill, Jessie
General
Borderland : $b a country-town chronicle
Fothergill, Jessie
English fiction -- 19th century
Our modern contrivances, indeed, for speedily moving about from
place to place, and for darting news hither and thither, have a
certain appearance of haste and want of dignity when tragedy comes
in question. And yet, it is surely a proof of the intrinsic might,
of the victorious power of great elementary human emotions, that
when they are every now and then called into play, in this decorous
age, it is they that triumph, and not the comfortable arrangements
which only take into account ease of mind and plenty of purse. Love
and hate and despair go striding grimly or gloriously on, and live
their lives, and strike their strokes, and sway the minds and souls
of those possessed by them, and override the obstacles in their
course, as potently now as they did in more picturesque days.
Bradshaw and the penny post come in in a parenthesis, and the system
of electric telegraphy powerfully supports them, so that we can send
the news of our own catastrophes, or of those of our neighbours,
with a speed unheard of a century ago, though even before then there
was a saying that ‘ill news travels fast.’ Nay, these things, if
rightly considered, appear conducive to privacy rather than, as
might appear from a superficial glance, to publicity. For any one
who reads a startling announcement in letter or newspaper, has the
habit, nowadays, of calling it a _canard_, and of saying that it is
sure to be contradicted to-morrow. And so it often is. But even if
it be not, this beautiful system of Bradshaw, penny post and Co.,
has no sooner certified the truth of one calamity, than it is ready
and to the fore with another, and a worse than the former one; which
second tragedy an intelligently interested public devours, even if
incredulous, with never-satiated delight; and thus the immediate
actors in the events chronicled are in reality left almost as much
to themselves and their own devouring emotions, as they would have
been before the steam-engine was invented. The world has heard of
your domestic drama, that is true; and its details have been printed
in every daily paper throughout the kingdom. But the day after, it
is provided with something much more remarkable than your
twopenny-halfpenny calamity, and has forgotten in a week that it
ever heard your name.
Some such train of thought was in Michael’s mind, as he paused to
consider the sequence in which he should arrange his different tasks
on the morrow. Gilbert’s voice broke in upon his reverie. He had
risen, and stood with his back against the mantelpiece.
‘Michael, it seems that you and Miss Askam “understand each other,”
as the phrase goes.’
‘Yes, we do,’ said Michael.
Public-domain text, read in full here on John Shaqi.
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