England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
'The situation is comical. I feel sure that if I leave town, my
connection with the _Post_ will come to an end. I shall have a note
from Runcorn saying that we had better take this opportunity of
terminating my engagement. On the whole I should be glad, yet I can't
make up my mind to be ousted by Kenyon--that's what it means. They want
to get me away, but I stick on, postponing holiday from week to week.
Runcorn can't decide to send me about my business, yet every leader I
write enrages him. But for Kenyon, I should gain my point; I feel sure
of it. It's one of those cases in which homicide would be justified by
public interest. If Kenyon gets my place, the paper becomes at once an
organ of ruffiandom, the delight of the blackguardry.'
'How's the circulation?' inquired Peak.
'Pretty sound; that adds to the joke. This series of stories by
Doubleday has helped us a good deal, and my contention is, if we can
keep financially right by help of this kind, why not make a little
sacrifice for the sake of raising our political tone? Runcorn won't see
it; he listens eagerly to Kenyon's assurance that we might sell several
thousand more by striking the true pot-house note.'
'Then pitch the thing over! Wash your hands, and go to cleaner work.'
'The work I am doing is clean enough,' replied Earwaker. 'Let me have
my way, and I can make the paper a decent one and a useful one. I
shan't easily find another such chance.'
'Your idealism has a strong root,' said Godwin, rather contemptuously.
'I half envy you. There must be a distinct pleasure in believing that
any intellectual influence will exalt the English democracy.'
'I'm not sure that I do believe it, but I enjoy the experiment. The
chief pleasure, I suppose, is in fighting Runcorn and Kenyon.'
'They are too strong for you, Earwaker. They have the spirit of the age
to back them up.'
The journalist became silent; he smiled, but the harassment of conflict
marked his features.
'I hear nothing about "The New Sophistry",' he remarked, when Godwin
had begun to examine some books that lay on the table. 'Dolby has the
trick of keeping manuscripts a long time. Everything that seems at the
first glance tolerable, he sends to the printer, then muses over it at
his leisure. Probably your paper is in type.'
'I don't care a rap whether it is or not. What do you think of this
book of Oldwinkle's?'
He was holding a volume of humorous stories, which had greatly taken
the fancy of the public.
'It's uncommonly good,' replied the journalist, laughing. 'I had a
prejudice against the fellow, but he has overcome me. It's more than
good farce--something like really strong humour here and there.'
'I quite believe it,' said Peak, 'yet I couldn't read a page. Whatever
the mob enjoys is at once spoilt for me, however good I should
otherwise think it. I am sick of seeing and hearing the man's name.'
Earwaker shook his head in deprecation.
'Narrow, my boy. One must be able to judge and enjoy impartially.'
Public-domain text, read in full here on John Shaqi.
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