England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
Marcella kept silence, her fingers working together.
'And is your mind relieved?' he added.
'I wish you were back in London. I wish this change had never come to
pass.'
'I wish that several things in my life had never come to pass. But I am
here, and my resolve is unalterable. One thing I must ask you--how
shall you represent my position to your brother?'
For a moment Marcella hesitated. Then, meeting his look, she answered
with nervous haste:
'I shall not mention you to him.'
Ashamed to give any sign of satisfaction, and oppressed by the feeling
that he owed her gratitude, Peak stood gazing towards the windows with
an air of half-indifferent abstractedness. It was better to let the
interview end thus, without comment or further question; so he turned
abruptly, and offered his hand.
'Good-bye. You will hear of me, or from me.'
'Good-bye!'
He tried to smile; but Marcella had a cold face, expressive of more
dignity than she had hitherto shown. As he closed the door she was
still looking towards him.
He knew what the look meant. In his position, a man of ordinary fibre
would long ago have nursed the flattering conviction that Marcella
loved him. Godwin had suspected it, but in a vague, unemotional way,
never attaching importance to the matter. What he _had_ clearly
understood was, that Christian wished to inspire him with interest in
Marcella, and on that account, when in her company, he sometimes set
himself to display a deliberate negligence. No difficult undertaking,
for he was distinctly repelled by the thought of any relations with her
more intimate than had been brought about by his cold intellectual
sympathy. Her person was still as disagreeable to him as when he first
met her in her uncle's house at Twybridge. If a man sincerely hopes
that a woman does not love him (which can seldom be the case where a
suggestion of such feeling ever arises), he will find it easy to
believe that she does not. Peak not only had the benefit of this
principle; the constitution of his mind made it the opposite of natural
for him to credit himself with having inspired affection. That his male
friends held him in any warm esteem always appeared to him improbable,
and as regards women his modesty was profound. The simplest
explanation, that he was himself incapable of pure devotedness, perhaps
hits the truth. Unsympathetic, however, he could with no justice be
called, and now that the reality of Marcella's love was forced upon his
consciousness he thought of her with sincere pity,--the emotion which
had already possessed him (though he did not then analyse it) when he
unsuspectingly looked into her troubled face a few days ago.
Public-domain text, read in full here on John Shaqi.
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