England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
And yet--for each impulse of ardour was followed by a cold fit of
reasoning--might not his abandonment of the position bear a meaning
such as Buckland would of course attribute to it? If he were hopeless
of the goodwill of her parents, what profit would it be to him to
retain her love? She was no heiress; supposing him actuated by base
motive, her value in his eyes came merely of his regarding her as a
means to an end.
But this was to reopen the question of whether or not he truly loved
her. No; he was forsaking her because he thought it impossible for her
to pardon the deceit he had undeniably practised--with whatever
palliating circumstances. He was overcome with shame. He imagined her
indignant, scornful.
Why had she written such a short, cold note, the very thing to produce
in his mind a conviction of her resentment?
Hereupon came another paroxysm of tearful misery. It was intensified by
a thought she had half consciously been repressing ever since the
conversation with her brother. Was it true that Miss Moxey had had it
in her power to strip Godwin of a disguise? What, then, were the
relations existing between him and that strangely impressive woman? How
long had they known each other? It was now all but certain that a
strong intellectual sympathy united their minds--and perhaps there had
been something more.
She turned her face upon the pillow and moaned.
CHAPTER IV
And from the Moxeys Buckland had derived his information. What was it
he said--something about 'an odd look' on Miss Moxey's face when that
friend of theirs talked of Peak? Might not such a look signify a
conflict between the temptation to injure and the desire to screen?
Sidwell constructed a complete romance. Ignorance of the past of both
persons concerned allowed her imagination free play. There was no limit
to the possibilities of self-torment.
Public-domain text, read in full here on John Shaqi.
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