Borneo and the Indian Archipelago: with drawings of costume and sceneryMarryat, Frank
History
Borneo and the Indian Archipelago: with drawings of costume and scenery
Marryat, Frank
Borneo -- Description and travel; Malay Archipelago -- Description and travel
About nightfall, as we were strolling through the town, we were
attracted by the sounds of music in an adjoining street. We altered our
course accordingly, and on arrival at a large thatched house, perceived
through the open windows that it was filled with musicians and dancers.
We were immediately observed, and the owner of the house, in the most
courteous manner, and in tolerable English, requested us to enter, which
request we immediately complied with. We imagined that it was a ball,
perhaps a wedding; but what was our surprise on entering to see a table
in the middle of the room, on which was placed a dead child! It was
neatly dressed, and ornamented with flowers, looking more like a wax
doll than a corpse. The ball, we were informed, was given in honour of
its funeral. The dancing had not yet commenced, so we were in excellent
time. The master of the house was extremely polite, and requested that
we would consider ourselves at home. We took his advice, and immediately
separated, and paid our addresses to the ladies which most interested us
by their appearance. A great many of them were exceedingly pretty, and
they were dressed enchantingly. Their hair was drawn back, and collected
in a knot behind, their bosoms covered by a light muslin jacket with
short sleeves. A petticoat of many colours was sufficiently short to
disclose their naked feet, on which was a slipper of velvet, embroidered
with gold or silver lace. Two or three great gold ornaments completed
their costume. Add to this their sparkling black eyes, regular features,
and an air of naiveté--inseparable from Spanish girls, and you have some
idea of the witchery of the belles of Samboangan.
We were very soon on excellent terms, and the table with the dead child
being removed to a corner, the father and mother of the deceased opened
the ball with a slow waltz. This being concluded, we selected our
partners, and a livelier air being struck up, off we all went at a
splendid pace. The women waltzed well. The music was excellent. In the
first round all the ladies lost their slippers, which were without
heels; and in the second the pace became fearful, and the old house
shook under the active bounds and springs of some twenty or thirty
couples.
Spanish quadrilles succeeded the waltz, and then we had the country
dance. This latter is complicated, but very pretty, and, with the
assistance of our partners, in a short time we were quite _au fait_ to
its mysteries.
Public-domain text, read in full here on John Shaqi.
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